Emmy Podcast #13: Emmy Submission Ballots, Guest/Writing/Directing Categories

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The submission ballots for the 2016 Emmys are in and voting has begun. This podcast I have brought back Vox.com culture editor Todd VanDerWerff and AwardsWatch Emmy Experts Jonathan Boehle to break down some of the submission list, concentrating on the Guest, Writing and Directing categories since those give us actual episodes before the nominations are announced.

We also talk a bit about how/if the new rules enacted this (and last) year will affect the upcoming batch of nominees and dig a bit deeper into categories like Drama Series and Lead Actor in a Drama Series as well as venture into the issue of race and awards. After two years of #OscarsSoWhite, are the Emmys much farther ahead on this? Will the Emmy success of black-ish, Master of NoneRoots and The People vs O.J. Simpson: American Crime Story be the story of the day come nominations next month?

Oh and, of course, The Americans and The Leftovers get an Emmy push from us.

All this and much more on this issue of the AwardsWatch Emmy Podcast.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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