Final 2020 Oscar Predictions – ORIGINAL SONG

Much like Thomas Newman in Original Score, we have another double digit nominee here in Original Song that’s never won: Diane Warren, who earned her 11th nomination for the song “I’m Standing With You” from faith-based film Breakthrough. Can she pull off a surprise win and finally become an Oscar winner? I wouldn’t bet on it.

Original Song is always a wild mix of sole nominations for a film, connection to a Documentary Feature, Best Picture or Animated Feature nominee. In this last decade, six winners came from one of the last two. Only Skyfall and Spectre (the Bond films) and The Muppets found themselves with wins away from that.

This year, we have just a single song connected to a main nominee, “I Can’t Let You Throw Yourself Away” by two-time Oscar winner Randy Newman from Toy Story 4. Yet weirdly, it doesn’t feel like a winner in the slightest. It’s a far more open category this year than it usually is and I think most of us are defaulting to Elton John’s “(I’m Gonna) Love Me Again.” It won Critics Choice and the Golden Globe, but it’s Rocketman only nomination (that costume snub is still crazy). John is a previous winner here but is there a huge urge to reward him again for slapping an original song on film biopic of his life?

Frozen II was snubbed for Animated Feature but Oscar winners Kristen Lopez-Anderson and Robert Lopez are nodded here once again. But “Into the Unknown” is only memorable for feeling like rip-off of their Oscar-winning “Let It Go” from the original film.

Many of Diane Warren’s Oscar nominations here, like hers this year, end up being the only nomination for the film. Warren gets in on her name and name alone from the music branch but when it comes time for the Academy at large to vote, they’ve gone elsewhere 10 times. Breakthrough was a modest box office hit but definitely not on the Academy’s radar. They’re going to have to go out of their way to reward here. They might, but it feels like a relative longshot.

Which brings us to “Stand Up” from Harriet. While Harriet is not a Best Picture nominee, singer and co-songwriter Cynthia Erivo is a Best Actress nominee and the closest thing voters have to that. But there’s more to a possible win for Erivo in her favor that could give her the upper hand. When the nominees were announced, Erivo was the sole person of color of all 20 acting nominees. Outrage was sparked once again, the very kind that spawned #OscarsSoWhite and the need for the Academy to make some dramatic changes in their membership. While I’m not saying the Academy at large could see a win her for her (she’s not winning Best Actress) as one of the best and, unlike last year, and few ways to reward a person of color across their voting this year, there will certainly be some who will actively do so. Plus, Erivo will also then become the newest member of the EGOT club in the process – becoming the youngest ever to do so and only the second black woman to do so after Whoopi Goldberg – and who doesn’t love being a part of history?

Here are my ranked predictions for Original Song.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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