FINAL 2022 Oscar Predictions: CINEMATOGRAPHY

One of the tougher categories this season got significantly much easier after the American Society of Cinematographers (ASC) announced last night, awarding Greig Fraser’s lensing of Dune, following his BAFTA win earlier this month.

There has been a built-in narrative for Ari Wegner (The Power of the Dog) to be the first female cinematographer to win the Oscar, but as only the second woman ever even nominated and coming in with just a Critics’ Choice win, her hill is now a nearly impossible one to climb.

As you can see in the chart below, since 2000, when BAFTA moved before the Oscars, they’ve become even stronger than ASC alone, especially in the 2010s. While we have a few examples of years with a three-way split, there are only three times where ASC reigned, including just last year when Mank beat out critics’ favorite Nomadland there and then ultimately at the Oscars. Also since 2000, all but two winning combinations of ASC+BAFTA have resulted in an Oscar win (2001 and 2006). With The Power of the Dog struggling so significantly with other guilds wins (outside of DGA), it would be surprising, but not impossible, for the Academy suddenly go its way.

UPDATE: I’ve changed my official prediction from Dune (dated March 21 ) to The Power of the Dog on March 25.

Here are my final Oscar predictions for Cinematography.

1. The Power of the Dog (Netflix) – CCA, BAFTA, ASC
   Ari Wegner
2. Dune (Warner Bros/HBO Max) – CCA, BAFTA, ASC
   Greig Fraser
3. The Tragedy of Macbeth (A24/Apple Original Films) – CCA, BAFTA, ASC
   Bruno Delbonnel
4. West Side Story (20th Century Studios) – CCA
   Janusz Kaminski
5. Nightmare Alley (Searchlight Pictures) – CCA, ASC, BAFTA
   Dan Laustsen

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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