Florida Film Critics Circle (FFCC) Awards: ‘The Boy and the Heron’ Wins Best Picture

The Florida Film Critics Circle has named The Boy and the Heron the Best Picture of 2023. Hayao Miyazaki’s first film in a decade, the film also won Best Animated Film and Best Score for Joe Hisaishi’s compositions and is the first animated film to win the top prize with Florida critics. 

Martin Scorsese’s Killers of the Flower Moon also earned three awards, including Best Ensemble and Best Actress for Lily Gladstone as the Osage woman at the center of a horrifying conspiracy; Celine Song’s debut Past Lives snagged two awards for Best First Film and Best Original Screenplay. As did May December, which picked up wins for Todd Haynes for Best Director and Charles Melton for Best Supporting Actor.

Franz Rogowski won Best Actor for his role in Passages and Rachel McAdams took Best Supporting Actress for Are You There God? It’s Me, Margaret.

Other awards included Best Documentary to Frederick Wiseman’s Menus-Plaisirs – Les Troisgros, Best Cinematography to John Wick: Chapter 4’s John Laustsen, Best Visual Effects to Godzilla Minus One and Anatomy of a Fall for Best International Film. Despite boasting the most nominations, Oppenheimer failed earn a single win in the final round of voting.

The Golden Orange, awarded to outstanding contributions to film by a Floridian, went to D. Smith and her documentary Kokomo City, depicting the lives of four Black trans sex workers.

BEST PICTURE: The Boy and the Heron
RUNNER-UP: May December

Best Actress: Lily Gladstone, Killers of the Flower Moon
RUNNER-UP: (TIE) Sandra Hüller, Anatomy of a Fall and Emma Stone, Poor Things

Best Actor: Franz Rogowski, Passages
RUNNER-UP: Bradley Cooper, Maestro

Best Supporting Actress: Rachel McAdams, Are You There God? It’s Me, Margaret
RUNNER-UP: Da’vine Joy Randolph, The Holdovers

Best Supporting Actor: Charles Melton, May December
RUNNER-Up: Robert Downey Jr., Oppenheimer

Best Ensemble: Killers of the Flower Moon
RUNNER-UP: Asteroid City

Best Director: Todd Haynes, May December
RUNNER-UP: Christopher Nolan, Oppenheimer

Best Original Screenplay: Celine Song, Past Lives
RUNNER-UP: Wes Anderson, Asteroid City

Best Adapted Screenplay: Tony McNamara, Poor Things
RUNNER-UP: Eric Roth and Martin Scorsese, Killers of the Flower Moon

Best Cinematography: John Laustsen, John Wick: Chapter 4
RUNNER-UP: Hoyte van Hoytema, Oppenheimer

Best Visual Effects: Godzilla Minus One
RUNNER-UP: (TIE) The Creator & Oppenheimer

Best Art Direction/Production: Asteroid City
RUNNER-UP: Poor Things

Best Score: Joe Hisaishi, The Boy and the Heron
RUNNER-UP: Ludwig Göransson, Oppenheimer

Best Documentary: Menus-Plaisir – Les Troisgros
RUNNER-UP: The Eternal Memory

Best International Film: Anatomy of a Fall
RUNNER-UP: The Zone of Interest

Best Animated Film: The Boy and the Heron

Best First Film: Celine Song, Past Lives
RUNNER-UP: A.V. Rockwell, A Thousand and One

Breakout Award: Lily Gladstone, Killers of the Flower Moon
RUNNER-UP: (TIE) Charles Melton, May December and Celine Song, Past Lives

Golden Orange: D. Smith – Kokomo City
RUNNER-UP: Alex Mechanik, May December

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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