Full-Length ‘Joy’ Trailer – “Money, Crime, Betrayal”
After a rousing first test screening and a secret one last night of a drastically different cut (and with dismal results), the full-length trailer for the highly anticipated Christmas release ” is here. Once again employing a 1960s era song (the first trailer used a choral version of “You Can’t Always Get What You Want,” this new one features The Ronettes’ “Walking in the Rain” and The Bee Gees’ “To Love Somebody”) As we gathered from the screenings, the film looks to be quite a hearty mix of drama (melo and otherwise), crime, thriller, comedy and kitchen sink. David O. Russell has built a career on films that ride tonal waves of nearly all of these elements before but with Joy he could either be reaching his greatest height or his steepest fall.
Robert De Niro seems to have some juicy material here and Isabella Rossellini really shines with a character that seems dark and treacherous. Not enough of Diane Ladd, our high hopes (and rankings) for a Best Supporting Actress nomination might need to some tinkering. But really, this is Jennifer Lawrence’s show. I’ve never been a huge fan of most of her work, personally, but I really dug her here. That last scene in the trailer was a doozy.
“Never speak, on my behalf…about my business, again.”
Here’s the trailer:
Joy comes out on Christmas Day from 20th Century Fox.
- 2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON - May 23, 2026
- Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize - May 22, 2026
- ‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes - May 21, 2026

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes