The Georgia Film Critics Association has chosen Parasite as the best film of 2019, also giving it Best Director, Original Screenplay and Foreign Language Film.
1917 took three technical awards: Cinematography, Production Design and Original Score while “Glasgow” from Wild Rose and written by Mary Steenburgen, won Original Song.
Here is the full list of winners.
Best Picture: Parasite
Best Director: Bong Joon-ho, Parasite
Best Actor: Adam Driver, Marriage Story Best Actress: Lupita Nyong’o, Us Best Supporting Actor: Joe Pesci, The Irishman Best Supporting Actress: Florence Pugh, Little Women
Best Original Screenplay: Bong Joon-ho and Han Jin-won, Parasite Best Adapted Screenplay: Steven Zaillian, The Irishman
Best Animated Film: Toy Story 4 Best Documentary: Apollo 11 Best Foreign Language Film: Parasite
Best Ensemble: Little Women
Best Cinematography: Roger Deakins, 1917 Best Production Design: Dennis Gassner and Lee Sandales, 1917 Best Original Score: Thomas Newman, 1917 Best Original Song: “Glasgow (No Place Like Home)” – Caitlin Smith, Mary Steenburgen, Kate York (Wild Rose)
Breakthrough Award: Florence Pugh (Fighting With My Family, Little Women, Midsommar)
Oglethorpe Award for Excellence in Georgia Cinema: The Peanut Butter Falcon (Tyler Nilson, Michael Schwartz)
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.