Golden Globe Predictions (Film): La La Land and Moonlight Should Shine, Hacksaw Ridge Could Blow Up

Published by
Share
Andrew Garfield, Hacksaw Ridge (Lionsgate)

[divider style=”solid” top=”20″ bottom=”20″]

This is an especially tough year to predict the Golden Globe nominations. Every year sees the weird idiosyncrasies of the Hollywood Foreign Press Association from specious category placement to outright favoritism but at least the group of 90+ international journalists is trying to repair their decades-old negative reputation. It doesn’t hurt though that the show is still one of the best times of the year. Often raucous, fueled by fast-pouring booze and biting commentary from hosts like Ricky Gervais and Tina Fey & Amy Poehler, the show is meta-Hollywood at is sharpest sometimes.

This year, with NBC’s Jimmy Fallon anchoring the show (the same network that’s airing the Globes) I expect a lot less of that biting commentary and more of Fallon’s genial, inoffensive blandness. It will be interesting to see how the stars react to him and how the critics deconstruct his performance next month.

Anyway, onto predictions. Like I said, a tough year. While it seems like La La Land and Moonlight are safe bets for a handful of nominations (being in separate categories helps both), after that it’s a bit of a toss-up. Hacksaw Ridge is making a killer showing so far, landing Top 10 placement with the National Board of Review and the American Film Institute. With that comes Mel Gibson, still one of Hollywood’s most controversial figures but who seems to have been granted a redemption card this year. It feels like he and his film stand a very good chance at getting in.

Silence is tough. I’m hearing that the group was a bit cold on the film so I’m seeing it on the outside looking in. That makes room for Hell or High Water but I can see Lion, Arrival or Hidden Figures making a play.

BEST MOTION PICTURE – DRAMA

Fences
Hacksaw Ridge
Hell or High Water
Manchester by the Sea
Moonlight

Other Contenders: Arrival, Hidden Figures, Jackie, Lion, Loving, Silence, Sully
[divider style=”solid” top=”20″ bottom=”20″]
The Globes love the Coen Brothers and even though Hail, Caesar! took a bit of a critical drubbing, it could easily show up. The only true locks here are Florence Foster Jenkins and La La Land, everything else a strong argument for and against it being here. 20th Century Women seems like it should be but I think it will just barely miss.

BEST MOTION PICTURE – MUSICAL OR COMEDY

Florence Foster Jenkins
Hail, Caesar!
La La Land
The Lobster
Love and Friendship

Other Contenders: 20th Century Women, Café Society, Everybody Wants Some!!, The Nice Guys, Rules Don’t Apply, Sing Street
[divider style=”solid” top=”20″ bottom=”20″]
I’m very secure in four of these five predictions. Jessica Chastain is my only question. The Globes like her but Taraji P. Henson in Hidden Figures could absolutely spoil, especially if her film shows up other places.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

Amy Adams, Arrival
Jessica Chastain, Miss Sloane
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie

Other Contenders: Amy Adams, Nocturnal Animals; Emily Blunt, The Girl on the Train; Taraji P. Henson, Hidden Figures
[divider style=”solid” top=”20″ bottom=”20″]
I feel like I should include Viggo Mortensen in this top five, I just don’t know who I would boot to put him in. Joel Edgerton and Andrew Garfield seem like the most vulnerable so if Mortensen makes it in it will likely be one of those two who misses.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

Casey Affleck, Manchester by the Sea
Joel Edgerton, Loving
Andrew Garfield, Hacksaw Ridge
Tom Hanks, Sully
Denzel Washington, Fences

Other Contenders: Andrew Garfield, Silence; Jake Gyllenhaal, Nocturnal Animals; Viggo Mortensen, Captain Fantastic
[divider style=”solid” top=”20″ bottom=”20″]
This is a pretty rich category thanks to a year of great comedic (and musical) performances by leading ladies. Bening, Stone, and Streep are locked. Kate Beckinsale seems like a perfect Globe choice here, as does Field. But, I’m looking at Renée Zellweger as the spoiler.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

Kate Beckinsale, Love and Friendship
Annette Bening, 20th Century Women
Sally Field, Hello My Name is Doris
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Other Contenders: Lily Collins, Rules Don’t Apply; Hailee Steinfeld, Edge of Seventeen; Kristen Stewart, Café Society; Renée Zellweger, Bridget Jones’s Baby
[divider style=”solid” top=”20″ bottom=”20″]
Even though I hemmed and hawed on Awards Circuit’s podcast that Warren Beatty wasn’t going to make it in here, I’ve relented. It does seem reasonable that if Bening is in that Beatty sit beside her as a nominee. He is an 11-time nominee and two-time winner (plus the Cecil B. DeMille) to boot. He seems like this year’s first stop-last stop Jane Fonda (Youth) nomination. I’m wondering if we could end up seeing THREE Ryans here. Obviously, Gosling will get in for La La Land but he could easily scoop up a second nomination for The Nice Guys since the Globes, unlike the Oscars, don’t have a rule against it. The other Ryan, Reynolds, has mounted quite a campaign for a nomination here for Deadpool and I think it’s going to pay off. Watch out for Robert De Niro in The Comedian, though.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

Warren Beatty, Rules Don’t Apply
Colin Farrell, The Lobster
Ryan Gosling, La La Land
Hugh Grant, Florence Foster Jenkins
Ryan Reynolds, Deadpool

Other Contenders: Josh Brolin, Hail, Caesar!; Don Cheadle, Miles Ahead; Russell Crowe, The Nice Guys; Robert De Niro, The Comedian; Adam Driver, Paterson; Alden Ehrenreich, Rules Don’t Apply; Ryan Gosling, The Nice Guys
[divider style=”solid” top=”20″ bottom=”20″]
This category stands a very good chance at dual nominations for Hell or High Water with both Jeff Bridges and Ben Foster making the cut. It all depends on how the group feels about Silence, though; Liam Neeson obviously stands a good chance here.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Ben Foster, Hell or High Water
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

Other Contenders: Aaron Eckhart, Bleed for This; Aaron Eckhart, Sully; Ralph Fiennes, A Bigger Splash; Liam Neeson, Silence; Jeremy Renner, Arrival
[divider style=”solid” top=”20″ bottom=”20″]
This category will probably look the closest like the eventual Oscar top 5. Davis, Harris, Kidman and Williams are virtual locks – it’s just that 5th spot that’s open. It could be Spencer, Gerwig or Monáe. But watch out for Helen Mirren in Eye in the Sky, too.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Other Contenders: Greta Gerwig, 20th Century Women; Helen Mirren, Eye in the Sky; Janelle Monáe, Hidden Figures
[divider style=”solid” top=”20″ bottom=”20″]
Denzel Washington is an HFPA favorite, he’s won two competitive Golden Globes and was the recipient of their Cecil B. DeMille Award at the last awards. Although he hasn’t been nominated from the group for his directing, his 2007 directing effort, The Great Debaters, did earn a Best Motion Picture – Drama nomination. It seems like a risk to push Kenneth Lonergan out but call it a hunch. If you think it’s odd to have Martin Scorsese show up here as a director without a Picture nomination, it’s actually not that uncommon. Previous names who have done that are: David Fincher, Gone Girl; Clint Eastwood, Invictus, Flags of Our Fathers and Letters from Iwo Jima; Peter Jackson, King Kong and Steven Speilberg, Munich. Big names all, making Scorsese or Eastwood strong candidates for a lone director spot here.

BEST DIRECTOR – MOTION PICTURE

Damien Chazelle, La La Land
Mel Gibson, Hacksaw Ridge
Barry Jenkins, Moonlight
Martin Scorsese, Silence
Denzel Washington, Fences

Other Contenders: Garth Davis, Lion; Clint Eastwood, Sully; Kenneth Lonergan, Manchester by the Sea
[divider style=”solid” top=”20″ bottom=”20″]
No Best Picture Oscar winner has missed screenplay here since Million Dollar Baby. That’s good for La La Land, whose screenplay is probably its most tenuous category. Not specifically because of the film but because screenplays for musicals are often sidelined. Very good chance for Hell or High Water to show up here.

BEST SCREENPLAY – MOTION PICTURE

Fences
La La Land
The Lobster
Manchester by the Sea
Moonlight

Other Contenders: 20th Century Women, Hell or High WaterLion, Silence
[divider style=”solid” top=”20″ bottom=”20″]
The Globes, despite being a group of international journalists, tend to favor the big, blockbuster animated films from the big studios which is why you see Sing here instead of The Red Turtle or My Life as a Zucchini.

BEST MOTION PICTURE – ANIMATED

Finding Dory
Kubo and the Two Strings
Moana
Sing
Zootopia

Other Contenders: Angry Birds; The Little Prince, The Red Turtle, Sausage Party, The Secret Life of Pets, Storks
[divider style=”solid” top=”20″ bottom=”20″]
This is always a competitive category and since the HFPA doesn’t follow the rules of submissions the way the Academy does, we often see left-field choices here. I’m predicting Brazil’s Aquarius to fit that bill as a response to the country’s selection committee not choosing it to represent Brazil at the Oscars. Another Brazilian effort, Chatô, King of Brazil, is a possibility. Don’t be surprised if Neruda (Chile) or The Handmaiden (South Korea) land a spot.

BEST MOTION PICTURE – FOREIGN LANGUAGE

Aquarius, Brazil
Elle, France
Toni Erdmann, Germany
The Salesman, Iran
Julieta, Spain

Other Contenders: Chatô, King of Brazil (Brazil), Desierto (Mexico), The Happiest Day in the Life of Olli Mäki (Finland), Tonio (Netherlands), Afterimage (Poland), The Idol (Palestine), From Afar (Venezuela), Sand Storm (Israel), The Distinguished Citizen (Argentina), I Am Not Madame Bovary (China), Neruda (Chile), The Handmaiden (South Korea)
[divider style=”solid” top=”20″ bottom=”20″]
The global love for Lin-Manual Miranda could put Moana in here, even though he’s not the composer of the film’s score. This category is often braver than most which is why I have more eclectic choices than traditional ones. Arrival, Jackie, and Nocturnal Animals fit that.

BEST ORIGINAL SCORE – MOTION PICTURE

Arrival
Jackie
Lion
Moana
Nocturnal Animals

Other Contenders: Finding Dory, Loving, Rogue One: A Star Wars Story
[divider style=”solid” top=”20″ bottom=”20″]
The HFPA likes its stars here even though they don’t have any production numbers. Recent winners like Lady Gaga, Cher and Madonna show that they at least want them to show up.

BEST ORIGINAL SONG – MOTION PICTURE

“Audition,” La La Land
“City of Stars,” La La Land
“How Far I’ll Go,” Moana
“Can’t Stop the Feeling,” Trolls
“Try Everything,” Zootopia

Other Contenders: “No Dames,” Hail, Caesar!; “Runnin’,” Hidden Figures; “We Know the Way,” Moana; “I’m So Humble,” Popstar: Never Stop Never Stopping; “The Great Beyond,” Sausage Party; “Drive It Like You Stole It,” Sing Street

The Golden Globe nominations will be announced on Monday, December 12th at 5:15am PST.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

48th San Francisco International LGBTQ+ Film Festival to Kickoff with Juneteenth Celebration

Frameline48, the largest cinema showcase in California, runs June 19-29, 2024 and will announce the… Read More

April 30, 2024

May the Force Be With You: Ranking All 11 Live-Action Star Wars Films

In what feels like a long time ago, in our own galaxy not far, far… Read More

April 30, 2024

2024 Tony Nominations: ‘Stereophonic,’ Breaks Play Record, Ties Musical ‘Hell’s Kitchen’ to Lead with 13 Each

Two music artist-driven shows found themselves on the top of the Tony nominations this morning… Read More

April 30, 2024

77th Cannes Film Festival Jury Includes Lily Gladstone, Kore-eda Hirokazu, Nadine Labaki and Omar Sy

The Jury for the 77th Festival de Cannes, chaired by Greta Gerwig, will include Turkish… Read More

April 29, 2024

AwardsWatch Podcast Ep. 229 – Reviewing ‘Challengers’ and Our Favorite Horny/Sexy Movies

On episode 229 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch… Read More

April 29, 2024

‘Mufasa: The Lion King’ Teaser: Barry Jenkins-Directed Prequel Takes Us to the Beginning

The King is back. Disney unveiled a first look at Mufasa: The Lion King, the… Read More

April 29, 2024

This website uses cookies.