“The Golden Globes are back” is starting to sound like a common refrain and this year is no different.
After a deeply embattled few years of deserved backlash for its numerous scandals, from alleged bribery to outright racism and questionable behavior, there simply wasn’t a scandal that the Hollywood Foreign Press Association, who puts on…who used to put on the glitzy awards show, hasn’t been party to. After 80 years and decades of controversy, the Hollywood Foreign Press Association (HFPA) has disbanded and is no more. In a bombshell announcement earlier this summer, new owners Dick Clark Productions and Todd Boehly’s Eldridge have acquired all Golden Globes assets (including cash on hand), rights, and properties from the HFPA via a newly formed Golden Globe Foundation, which “will continue the legacy HPFA’s history of entertainment-related charitable giving.”
After a year off from their expensive NBC contract (who still hold the rights to airing the show through 2027), the network aired the show last season to all-time low numbers. Cut to this season where NBC is out and CBS will now present the big show. All eyes will be on ratings again here and CBS, with its older and consistent viewing population, has proven it can still provide TV numbers even without the covted 18-49 advertising demo.
Penske Media, which owns several entertainment journalism outlets including Variety, The Hollywood Reporter, IndieWire, GoldDerby, TV Line and Deadline, is now the sole owner of the Golden Globes.
Undergoing numerous changes to its board, expelling problematic members and introducing over 200 new voters, the ‘new’ Golden Globes aims to right the wrongs of its past or at least make you forget them for a while. As well as the upheaval of its membership, the body changed or incorporated several additions to its categories, including allowing non-English language and animated films to compete in the Motion Picture – Drama and/or Musical/Comedy categories but this year added a new category that has already stirred the pot.
The new Best Cinematic and Box Office Achievement category (for movies that grossed more than $150 million, with at least $100 million in the U.S. or equivalent streaming numbers), will nominate eight films from 18 eligible titles that, according to the ballot, include films that do not or have not yet met that criteria. Far too reminiscent of the Academy’s attempt to introduce this category in 2018, only to rescind it after hailstorm of backlash, we’ll see how long this category lasts at the Globes but it feels right up there alley whether it’s their past, present or future. Plus, it’s also the only place that Barbie and Oppenheimer can truly go head to head in a title vs. title category as they are split between Drama and Comedy in the main ones, and you just know they wanted that face off.
Specifically, the rules for the new category state:
Films that are released after November 22 up until the end of the year may qualify based on projected box office performance and/or digital streaming views from trusted industry sources.
Box office and streaming views will determine eligibility; once a film meets the box office-related qualifying criteria or streaming criteria, Golden Globes voters will determine the nominees and winner based on excellence.
Oh, and one more thing; there are now six nomination slots in all categories. Does that make tough categories easier or harder to predict? Will we more or less actual variety? Take a look at Original Song, for example. There is a very real chance we’ll have 5/6 songs from Warner Bros films: three from Barbie and one each from The Color Purple and Wonka. If so, who gets the final spot? Olivia Rodrigo with her Hunger Games song? The perennial Diane Warren? Jack Black’s “Peaches” from The Super Mario Bros. Movie?
We do know that Todd Haynes’ May December was submitted, and accepted, in the Musical or Comedy categories and while Julianne Moore and Charles Melton will compete in supporting where all genres are combined, Natalie Portman should definitely find her way in. With the allowance of non-English language films able to be nominated in the top Drama and Musical or Comedy Motion Picture category we could see one or both of Anatomy of a Fall and The Zone of Interest, both of which are assured nods in the Non-English Language Film section as well.
Nominations will be announced at 5am PT on Monday, December 11 and the 81st Annual Golden Globe Awards are set to take place on Sunday, January 7, 2024 and air live on CBS.
Here are my Golden Globe nomination predictions for Motion Picture.
Best Motion Picture – Drama
Next up: All of Us Strangers (Searchlight Pictures), The Iron Claw (A24), Saltburn (Amazon MGM)
Best Motion Picture – Musical or Comedy
Next up: Air (Amazon Studios), Are You There God? It’s Me, Margaret., (Lionsgate), Bottoms (MGM/Orion)
Best Performance by an Actor in a Motion Picture – Drama
Next up: Adam Driver – Ferrari (NEON), Zac Efron – The Iron Claw (A24), Barry Keoghan – Saltburn (Amazon MGM)
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Next up: Michael Fassbender – Next Goal Wins (Searchlight Pictures), Andrew Barth Feldman – No Hard Feelings (Sony Pictures) , Joaquin Phoenix – Beau Is Afraid (A24)
Best Performance by an Actress in a Motion Picture – Drama
Next up: Jessica Chastain – Memory (Ketchup Entertainment), Aunjanue Ellis-Taylor – Origin (NEON), Teyana Taylor – A Thousand and One (Focus Features)
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Next up: Halle Bailey – The Little Mermaid (Walt Disney), Ayo Edebiri – Bottoms (MGM/Orion), Abby Ryder Fortson – Are You There God? It’s Me, Margaret. (Lionsgate)
Best Performance by an Actor in a Supporting Role in any Motion Picture
Next up: Willem Dafoe – Poor Things (Searchlight Pictures), Paul Mescal – All of Us Strangers (Searchlight Pictures), Dominic Sessa – The Holdovers (Focus Features)
Best Performance by an Actress in a Supporting Role in any Motion Picture
Next up: Viola Davis – Air (Amazon Studios), Claire Foy – All of Us Strangers (Searchlight Pictures), Julianne Moore – May December (Netflix)
Best Director
Next up: Alexander Payne – The Holdovers (Focus Features), Celine Song – Past Lives (A24), Jonathan Glazer – The Zone of Interest (A24)
Best Screenplay
Next up: All of Us Strangers (Searchlight Pictures), Killers of the Flower Moon (Apple Original Films), Maestro (Netflix), May December (Netflix)
Best Motion Picture – Animated
Next up: Nimona (Netflix), The Peasants (Sony Pictures Classics), Robot Dreams (NEON), Trolls Band Together (Universal Pictures)
Best Motion Picture – Non-English Language
Next up: Fallen Leaves – Finland, Perfect Days – Japan (NEON), Shayda – Australia (Sony Pictures Classics)
Best Original Score
Next up: American Fiction (Amazon MGM), Nyad (Netflix), The Zone of Interest (A24)
Best Original Song
Next up: “The Fire Inside” from Flamin’ On (Searchlight Pictures), “For the First Time” from The Little Mermaid (Walt Disney), “Road to Freedom” from Rustin (Netflix), “Peaches” from The Super Mario Bros. Movie (Universal Pictures), “This Wish” from Wish (Walt Disney)
Cinematic and Box Office Achievement
Next up: Creed III (Amazon MGM), Elemental (Walt Disney/Pixar), Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount Pictures)
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