Golden Globes: Rule Changes for Limited Series, Acting and Foreign Language Film

Published by
Share

Coming just a day after the Academy introduced some big changes for the upcoming Oscars, the Hollywood Foreign Press Association, who puts on the annual Golden Globe Awards, announced a few adjustments and rule changes of their own.

After being nominated in and winning multiple Golden Globes in the Limited Series/TV Movie categories, HBO’s Big Little Lies announced it would be returning for a second season. This caused a bit of a dust-up and multiple guild and awards organizations scrambled, some keeping the show in limited series, others moving over to drama series in time for voting. For the Golden Globes, in an effort to avoid future issues with changing statuses of a limited series, says “A television limited series that is later renewed for an additional season shall be classified as a series or again as a limited series in that later season depending on the degree of continuity in theme, storyline, main characters and production supervision from the original limited series to the later year of the series.” A similar situation happened a few years ago with HBO’s True Detective. The first season competed as a Drama Series at the Emmys but a Miniseries (as the category was called then) at the Golden Globes. Once it was established it would be returning, but as an anthology with a new cast and new storyline, the Emmys followed suit. When Big Little Lies returns later this year, it will compete as a Drama Series.

Intense scrutiny over what qualifies as a comedy or drama with the HFPA has always been the butt of jokes and even controversy. In an effort to put the onus on the studios and filmmakers, the group said “HFPA members may ask the submitting studio or publicist to also submit materials in support of any classifications. The director of a motion picture or television program that may have been misclassified as either a drama or a comedy may be required to submit a letter justifying the initial classification.”

In the acting categories, the HFPA has established a (low) percentage bar requirement for an actor’s classification as lead or supporting. “Actors in ensemble casts in television programs with comparable roles should be classified as all lead or all supporting actors.” The group further asserts, “Supporting cast members in a motion picture must appear in a minimum of 5% of the motion picture’s total program time,” and adds, “While cameo appearances are not eligible for acting awards, actors who play partially fictional characters and appear in a significant portion of a motion picture or television program are eligible.”

In Foreign Language Film, not a major change but more of a clarification: “non-English language dubbed versions of motion pictures originally filmed in English may not be entered.”

Finally, another element that has consistently plagued the organization has been the act of self-promotion. Between the infamous ‘New Star of the Year’ win for Pia Zadora in 1982 to Sharon Stone’s extravagant watch giveaway to HFPA members in 1999 (they were immediately returned), the HFPA announced a slightly stronger tone with regards to the original song category, saying “Qualifying songs may not be performed live solely for HFPA members.” Not a big change, by any means, but is an effort to keep studios from creating an uneven playing by offering direct contact and exposure to stars and performers in a private environment.

The nominations for the 76th Golden Globe Awards will be announced in December with the awards ceremony in January 2019, dates TBA.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

Director Watch Podcast Ep. 90 – ‘Charlie Wilson’s War’ (Mike Nichols, 2007) with Special Guest Tom O’Brien

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt… Read More

March 21, 2025

Trailer Watch: ‘One Battle After Another,’ ‘Materialists,’ ‘Elio,’ ‘On Swift Horses,’ ‘Together,’ ‘Freakier Friday’

Teasers, trailers and even teasers for trailers coming next week, including much-anticipated next films from… Read More

March 20, 2025

27th Sarasota Film Festival (SFF) Lineup Announced

The Sarasota Film Festival (SFF) announced today the full slate of programming for the upcoming… Read More

March 20, 2025

‘Snow White’ Review: Rachel Zegler IS the Fairest of Them All in Marc Webb’s Fairytale Remake [C+]

For the past decade, the Walt Disney Company has been pillaging its back catalog of… Read More

March 19, 2025

Academy Launches 52nd Student Academy Awards Competition, Ceremony Set for October

The Academy of Motion Picture Arts and Sciences announced today it is now accepting entries… Read More

March 19, 2025

‘The Alto Knights’ Review: But They’re Gangsters, Identical Gangsters All the Way [C]

Gangster films have been a staple of cinema since the earliest days and over the… Read More

March 19, 2025

This website uses cookies.