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Hulu Acquires Sundance-Winning Doc ‘Minding the Gap’ from Bing Liu

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Hulu today announced that the company has acquired the rights to MINDING THE GAP, a moving documentary from director Bing Liu about three young men who bond across racial lines to escape volatile families in their Rust Belt hometown. Ten years later, while facing adult responsibilities, unsettling revelations force them to reckon with their fathers, their mothers, and each other. The film will be released as a Hulu Documentary both theatrically across key markets in the US and on Hulu on August 17th.

MINDING THE GAP was shot by Bing Liu and marks the director’s feature debut. The film made its world premiere earlier this year at the 2018 Sundance Film Festival, where it went on to win the U.S. Documentary Special Jury Award for Breakthrough Filmmaking. Since Sundance it has received over twenty-five awards and distinctions at festivals, including nine Jury Awards for Best Documentary and five Audience Awards.

Compiling over 12 years of footage shot in his hometown of Rockford, IL, in MINDING THE GAP Bing Liu searches for correlations between his skateboarder friends’ turbulent upbringings and the complexities of modern-day masculinity. As the film unfolds, Bing captures 23-year-old Zack’s tumultuous relationship with his girlfriend deteriorate after the birth of their son and 17-year-old Keire struggling with his racial identity as he faces new responsibilities following the death of his father. While navigating a difficult relationship between his camera, his friends, and his own past, Bing ultimately weaves a story of generational forgiveness while exploring the precarious gap between childhood and adulthood.

“When I first started developing MINDING THE GAP, I knew I wanted it to be accessible to young audiences, so I’m enthused with the reach the film will have as a Hulu Original,” said Bing Liu. “The film has elicited strong emotional responses with festival viewers around the world, so I’m happy with Hulu’s plans for a theatrical release and an outreach campaign to engage audiences in discussing the issues the film explores. I’m infinitely grateful for the friends and collaborators who’ve made the film possible, especially the brave participants of the film.”

The film is produced by Liu and Diane Quon through Kartemquin Films, and edited by Liu and Joshua Altman. Executive producers are Steve James, Gordon Quinn, Betsy Steinberg, Sally Jo Fifer, Justine Nagan, and Chris White. MINDING THE GAP is a co-production of Kartemquin Films, American Documentary |POV, and Independent Television Service (ITVS), with funding provided by the Corporation for Public Broadcasting (CPB) and Sundance Institute Documentary Film Program. Magnolia Pictures will handle the theatrical distribution.

MINDING THE GAP will join Hulu’s growing list of award-winning and critically acclaimed documentaries, including TINY SHOULDERS: RETHINKING BARBIE, THE BEATLES: 8 DAYS A WEEK – THE TOURING YEARS, TOO FUNNY TO FAIL, OBEY GIANT, BECOMING BOND, DUMB, BATMAN AND BILL and MARCH OF THE PENGUINS 2: THE NEXT STEP.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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