The Costume Designers Guild announced their nominations for the 22nd CDGA Awards today an among the nominees are Julian Day for Rocketman, Mitchell Travers for Hustlers and Sharen Davis for HBO’s Watchmen. Notable misses today? The Irishman, Little Women and Joker in Period Film and Marriage Story in Contemporary Film.
The Costume Designers Guild celebrates excellence in film, television and short-form costume design. This year’s host for the January 28, 2020 awards ceremony will be Emmy-nominated writer, producer, author, director and actor Mindy Kaling, and the honorees include Mary Ellen Fields (Distinguished Service Award), Michael Kaplan (Career Achievement Award), Adam McKay (Distinguished Collaborator Award) and Charlize Theron (Spotlight Award).
“On behalf of the Costume Designers Guild, I’d like to congratulate all of our 22nd CDGA nominees. This year is a particularly exciting year for television as we have updated our rules of submission. Designers now submit a single episode that best represents their work on a series. We are looking forward to celebrating all of our talented costume designers, as well as our amazing honorees in January,” said Salvador Perez, president of the Costume Designers Guild Local 892.
Here’s the full list of nominees:
Excellence in Contemporary Film
A Beautiful Day in the Neighborhood – Arjun Bhasin
Hustlers – Mitchell Travers
Knives Out – Jenny Eagan
The Laundromat – Ellen Mirojnick
Queen & Slim – Shiona Turini
Excellence in Period Film
Dolemite is My Name – Ruth E. Carter
Downton Abbey – Anna Mary Scott Robbins
Jojo Rabbit – Mayes C. Rubeo
Once Upon a Time in Hollywood – Arianne Phillips
Rocketman – Julian Day
Excellence in Sci-Fi / Fantasy Film
Aladdin – Michael Wilkinson
Avengers: Endgame – Judianna Makovsky
Captain Marvel – Sanja M. Hays
Maleficent: Mistress of Evil – Ellen Mirojnick
Star Wars: The Rise of Skywalker – Michael Kaplan
Excellence in Contemporary Television
Big Little Lies: “She Knows” – Alix Friedberg
Fleabag: “2.1” – Ray Holman
Killing Eve: “Desperate Times” – Charlotte Mitchell
Russian Doll: “Superiority Complex” – Jennifer Rogien
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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