‘Joy’ to go Drama at The Golden Globes, Who Else Is In?

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JOY is bringing the drama to The Golden Globes

 

Earlier today, Daniel Montgomery of GoldDerby reported that 20th Century Fox has submitted Joy for Drama at the Golden Globes. This falls directly in line with our viewers that saw the film last week and assured me that the film would “100% compete in Drama.” Looking at director David O. Russell’s last two efforts Silver Linings Playbook competed in Comedy (as submitted) and won the Globe for Jennifer Lawrence (the film lost to Les Misérables). American Hustle was submitted in Comedy and won for Lawrence in Supporting (competing against Drama and Comedy actresses), Lead Actress Amy Adams and the film itself won Comedy or Musical. Russell’s only film to compete in Drama at the Globes so far, The Fighter, really scored at the Globes. It was nominated for Best Motion Picture – Drama, Russell in Director, Amy Adams in Supporting Actress, Mark Wahlberg in Lead Actor and grabbed two wins for the eventual Oscar winners, Christian Bale and Melissa Leo, both in Supporting. To me, it’s a clear move to present Joy as a real Oscar contender and not simply a comedy that almost makes it all the way. It will also (presumably) put Jennifer Lawrence, Cate Blanchett (for Carol) and Brie Larson (for Room) against each for the first (and not likely last) time of the season.

But what does this mean for Fox’s other Oscar hopefuls The Revenant and The Martian?

Obviously The Revenant will be in Drama but The Martian is an interesting case; there is a tremendous amount of humor in the film, something that keeps it buoyant and from being too much of a downer flick. The half a dozen disco songs played for comedic effect only help that sense of lightness. It’s a ‘feel-good’ film and I’d be willing to be Fox doesn’t at least try to submit it in Comedy.

So let’s look at the films competing in Drama because that category’s five slots are filling up fast. Right now it’s probably a safe bet to put Spotlight, The Revenant (which is heavily courting the HFPA), Carol and Joy in. But what of that fifth spot? Will it be Steve Jobs? Brooklyn? Beasts of No Nation? Bridge of Spies? Even The Danish Girl or Suffragette could play well here. There are more than a half dozen films that will be elbowing each other for this spot and it’s all going to come down to who gets their film screened by the HFPA and is met with the best response. The group has been making strides to clean up their act and be less entranced by getting the biggest stars to their party (they willfully ignored Angelina Jolie’s Unbroken this year) but that’s always going to be a stigma for them until it’s not.

So what does this do for the Comedy category? It certainly helps Amy Schumer (Trainwreck) and Lily Tomlin (Grandma) to get a Comedy Actress nomination but for the big category if Fox indeed does push The Martian here it could play well. I know I mentioned Steve Jobs in Drama earlier but some, including AwardsDaily’s Sasha Stone, think it could go Comedy. Then there’s Youth, where will that fall?

Joy‘s move opens the door for Amy Schumer’s summer hit Trainwreck to score a Best Motion Picture – Comedy or Musical nomination but if borderline drama/comedies intrude on the category it could end up looking like Steve Jobs, Youth and The Martian could make it more difficult for a full-fledged comedy to break through.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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