Motion Picture Sound Editors (MPSE) nominations: 'Joker,' 'Once Upon a Time…' lead with 3

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JOKER (Warner Bros)
ONCE UPON A TIME IN HOLLYWOOD (Sony/Columbia)

The nominations for the 67th Golden Reel Awards from the guild of Motion Picture of Sound Editors (MPSE) were announced this morning and Joker and Once Upon a Time in Hollywood led the field with three nominations apiece, landing in all of the main Feature categories: Dialogue/ADR, Sound Effects/Foley and Music Underscore.

1917, Avengers: Endgame, Ford v Ferrari, Jojo Rabbit and Rocketman earned two nominations each. In the Foreign Film section Parasite and Atlantics were among the nominees and in Animation nominees included Toy Story 4 and Missing Link.

The winners of the 67th Golden Reel Awards will be announced on January 19, 2020. Here is the full list of Feature Film nominations.

Feature – Dialogue / ADR

Once Upon a Time in Hollywood

Supervising Sound Editor:  Wylie Stateman, MPSE
Dialogue Editors:  Lindsey Alvarez, Michael Hertlein, MPSE
ADR Editors: Leo Marcil, Zach Goheen

Joker

Supervising Sound Editor: Alan Robert Murray
Supervising ADR Editor: Kira Roessler, MPSE
Dialogue Editor:  Carmeron Steenhagen

Ford v Ferrari

Supervising Sound Editor:  Donald Sylvester
Dialogue Editor:  Polly McKinnon

JoJo Rabbit

Supervising Sound Editors: Ai-Ling Lee, Tobias Poppe
Supervising ADR Editor: Susan Dawes
Dialogue Editors: Helen Luttrell, David V. Butler

The Irishman

Supervising Sound Editors: Phil Stockton,MPSE, Eugene Gearty
ADR Editor: Marissa Littfield
Dialogue Editor: Phil Stockton, MPSE

1917

Supervising Sound Editor: Oliver Tarney, MPSE
Dialogue Editor: Rachael Tate, MPSE

Rocketman

Supervising Sound Editor: Danny Sheehan

Avengers: Endgame

Supervising Sound Editors: Daniel Laurie, Shannon Mills
Dialogue Editors: Jacob Riehle, Brad Semenoff

Feature – Sound Effects / Foley

Ford v Ferrari

Supervising Sound Editor: Donald Sylvester
Sound Designers: Jay Wilkenson, David Giammarco
Sound Effects Editor: Eric Norris, MPSE
Foley Editor: Anna MacKenzie

Joker

Supervising Sound Editor: Alan Robert Murray
Sound Designer: Tom Ozanich, MPSE
Sound Effects Editors: John Joseph Thomas, Darren Maynard, MPSE Christian Wenger
Foley Editor: Michael Dressel, Willard Overstreet, Kevin R.W. Murray
Foley Artists: Dan O’Connell, John Cucci, MPSE

1917

Supervising Sound Editor: Oliver Tarney, MPSE
Sound Designers: Michael Fentum, James Harrison
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King

Once Upon a Time in Hollywood

Supervising Sound Editor: Wylie Stateman, MPSE
Sound Designer: Harry Cohen,MPSE, Sylvain Lasseur
Foley Artists: Rick Owens, MPSE, Gary Hecker, MPSE, Kyle Rochlin

Avengers: Endgame

Supervising Sound Editors: Shannon Mills, Daniel Laurie
Sound Designer: Nia Hansen, David Farmer, MPSE
Sound Effects Editors: Josh Gold, Samson Neslund, Steve Orlando
Foley Artists: John Roesch,MPSE, Shelley Roden, MPSE, Dan O’Connell, John Cucci, MPSE
Foley Editor: Christopher Flick, Jim Likowski

John Wick 3

Supervising Sound Editor: Mark Stoeckinger, MPSE
Sound Designers:  Alan Rankin, Martyn Zub,MPSE Luke Gibleon
Foley Artists: Dan O’Connell, John Cucci, MPSE

Star Wars

Supervising Sound Editors: David Acord, Matthew Wood
Sound Designer: David Acord
Sound Effects Editors: Addison Teague, Justin Doyle, Coya Elliott, Steve Slanec
Foley Editors: Richard Gould, Dee Selby
Foley Artists: Ronni Brown, Margie O’Malley

A Hidden Life

Supervising Sound Editor: Brad Engleking
Sound Effects Editors: Robert Kellough, MPSE David Forshee
Foley Artists: Dusty Albertz, Bastien Benkhelil

Feature – Music Underscore

Joker

Music Editors: Lena Gilkson, Daniel Waldman

Once Upon a Time in Hollywood

Music Editor: Jim Schultz

JoJo Rabbit

Music Editor: Paul Apelgren

Dolemite Is My Name

Music Editor: Philip Tallman

Waves

Music Editors: Sally Boldt, Trey Edward Shults, and Johnnie Burn

Queen & Slim

Music Editor: Joseph S. DeBeasi

Ad Astra

Supervising Music Editor: Katrina Schiller, MPSE
Music Editor: Lena Glikson, Terry Wilson, Will Kaplan, Philip Tallman
Scoring Editor: Sam Zines, Rick Zeigler

Little Women

Scoring Editor:  Xavier Faricolli
Music Editor: Suzana Peric

Feature – Documentary

Making Waves: The Art of Cinematic Sound

Supervising Sound Editors: Kimberly Patrick, Qianbaihui Yang
Dialogue Editor: Sung Rok Choi

Apollo 11

Supervising Sound Designer and Editor: Eric Milano
Foley Artist:  Eric Milano

The Cave

Supervising Sound Editor: Peter Albrechtsen, MPSE
Supervising Dialogue Editor: Lars Ginzel
Sound Effects Editors: Rana Eid, Mikkel Nielsen, Thomas Pape
Dialogue Editor: Theodora Flygt
Supervising Music Editor: Graeme Stewart
Foley Artist: Heikki Kossi, MPSE
Foley Editors: Lars Halvorsen, Anne Tolkinnen

Linda Ronstadt: The Sound of My Voice

Supervising Sound Editor: Milos Zivkovic
Supervising Music Editors: John Boylan, Julian Raymod, Bennett Salvay

Echo in the Canyon

Sound Designer: Robby Stambler, MPSE
Dialogue Editor:  Sal Ojeda, MPSE

Sea of Shadows

Sound Designer: Bernhard Zorzi
Dialogue Editor: Michael Pioderl
Foley Editor: Bernd Dormayer

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

Supervising Sound Editor: Phillip Stockton, MPSE

Feature – Foreign Language

Parasite

Supervising Sound Editor: Choi Tae Young
Sound Designer: Kang Hye Young
Supervising ADR Editor: Kim Byung In
Sound Effects Editors: Kang Hye Young
Foley Artists: Park Sung Gyun, Lee Chung Gyu
Foley Editor: Shin I Na

Atlantics

Supervising Sound Editor: Benoit de Clerck
Dialogue Editor: Claude Gillet
Foley Editor:  Thomas Ferrando
Foley Artists: Bertrand Boudaud

The Sound Story

Supervising Sound Editor: Resul Pookutty, MPSE
Sound Designer: Mahadevaiah Vijayakumar
Sound Effects Editors: Krishnanunny Kj
Foley Artists: Karan Arjun Singh, Shankar Sing, Anil Pawar
Foley Editor: Ram Kishan Nath

Shadow

Supervising Sound Editors:  Yang Jiang, MPSE, Zhao Nan, MPSE
Dialogue Editors:  Li Xinghui, Liu Ye
Sound Effects Editors: Skip Lievsay, MPSE, Yang Jiang, Blake Leyh, Larry Zipf
Foley Editor: Ning Wei
Foley Artists: Han Jun Sheng

The Fall of the American Empire

Supervising ADR Editor: Nathalie Fleurant, MPSE
Sound Designer: Marie-Claude Gagne
Dialogue Editor: Claire Pochon
Sound Effects Editors: Jean-Philippe Savard, Marie-Claude Gagne
Foley Artist: Nicolas Gagnon

Gully Boy

Supervising Sound Designer and Editor: Ayush Ahuja
Music Editor:  Nakul Kamte

Feature – Musical

Rocketman

Music Editors: Andy Patterson, Cecile Tournesac

Frozen II

Supervising Music Editor: Earl Ghaffari

Music Editors:  Fernand Bos, Kendall Demarest

Judy

Music Editor: Paul John Chandler

Cats

Supervising Music Editor: John Warhurst, Nina Harstone

Music Editors: Victor Chaga, Cecile Tournesac, James Shirley

Western Stars

Music Editor:  Brandon Duncan

Echo in the Canyon

Music Editor: Robby Stambler, MPSE

Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese

Music Editor: John M. Davis

Feature – Animation

Toy Story 4

Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Supervising Dialogue Editor: Cheryl Nardi
Sound Effects Editors: Kimberly Patrick, Qianbaihui Yang, Jonathon Stevens
Foley Editors: Thom Brennan, James Spencer
Foley Artists:  John Roesch,MPSE, Shelley Roden, MPSE

How to Train Your Dragon: The Hidden World

Supervising Sound Editors:  Brian Chumney, Leff Lefferts
Supervising Sound Designer: Randy Thom
Sound Designers:  Al Nelson, Rick Hromadka
Sound Effects Editors: Jon Borland, Malcolm Fife
Foley Editor: Dee Selby
Foley Artists: Jana Vance, Geoff Vaughan

Frozen II

Supervising Sound Editor: Odin Benitez, MPSE
Sound Designers:  Jeff A. Sawyer, Stephen Robinson, MPSE Angelo Palazzo, Eliot Connors, MPSE
Supervising Dialogue Editor: Harrison Meyle, MPSE
Sound Effects Editors: Russell Topal
Supervising Foley Editor:  Christopher Bonis
Supervising Music Editor: Earl Ghaffari
Music Editors: Fernand Bos, Kendall Demarest
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
Foley Editor: Scott Curtis

Missing Link

Supervising Sound Editor: Tim Chau, MPSE
Sound Designers: Clayton Weber, MPSE, Tim Chau, MPSE
Sound Effects Editors: Thomas O’Neil Younkman, Terry Rodman,MPSE, Jessie Pariseau
Dialogue Editor: Fred Paragano
Foley Editor: Travis Crotts
Foley Artists: Catherine Harper, MPSE, Katherine Rose,MPSE, Amy Kane

Abominable

Supervising Sound Editors:  Ethan Van der Ryn, Erik Aadahl, MPSE
Sound Designers: Rick Hromadka, Malte Bieler
Sound Effects Editors: Jason W. Jennings, Tim Walston, MPSE, Goeun Lee

The Lion King

Supervising Sound Editors: Christopher Boyes, Frank Eulner
Sound Designer: Christopher Boyes
Sound Effects Editors: Justin Doyle, Pascal Garneau
Dialogue Editor: Marshall Winn
Foley Editor: Dee Selby
Foley Artists: Jana Vance, Ronni Brown

White Snake

Supervising Sound Editor: Gary Chen
Sound Effects Editors: Shuangshuang Wang, Mei He, Irene Sun, Sam Fan, Emily Ding, Silence Lu
Dialogue Editor: Emily Ding
ADR Editor: Sandra Sun
Foley Artists: Ziwei Wang, Yin Miao
Foley Editors: Sandra Sun, Mei He

Spies in Disguise

Supervising Sound Editors:  Leff Lefferts, Jeremy Bowker
Sound Designer: Randy Thom
Supervising ADR Editor: Bjorn Ole Schroeder
Sound Effects Editors: Samson Neslund, David Farmer
Dialogue Editor: Michael Silvers
Foley Editors: Larry Oatfield, Chris Manning
Foley Artists: Shelly Roden,MPSE, John Roesch, MPSE

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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