MVFF38 Preview: ‘Brooklyn’

The story of young Irish immigrant Eilis Lacey (played by Saiorse Ronan) coming to America in the 1950s, Brooklyn is so carefully crafted and old fashioned that subverts any real drama in favor of a beautiful presentation. Remember that bowl of candy at your grandma’s house? You know the one; it looks delicious but then you go to pick one up and all of the candies are stuck together because they’ve been there for 20 years? That’s kind of like Brooklyn. It’s a lovely looking film and the performance by Ronan is delicate and mannered. The costumes and production design are flawless. It’s just more on the surface than it is underneath.

When Eilis meets this ‘ehhh, ohhh’ Italian-American guy Tony (Emory Cohen), he’s immediately smitten but she’s standoffish and distant. It’s sweet because it’s new ground for Eilis, as is nearly everything she does once in the states. Not terribly original but the two actors do their best to pretend it is. Eilis relents and just as quickly the two are married. Then the movie’s gear shifts up a bit and a family emergency takes her back to Ireland. It’s there that she meets Jim (Domnhall Gleeson) and suddenly she’s torn; does she stay with this new guy and her old life or go back to America to be with her new husband? This central struggle of the film, Eilis’s choice of love and place, should be bigger, more urgent, but it’s not. She barely knows either man (we don’t really know much either, especially of Jim) so the hook isn’t there. It turns what should be a deeply emotional decision for Eilis (and the audience) and reduces it to a coin toss.

Brooklyn shows at the Mill Valley Film Festival on Saturday, October 10th and hits theaters November 4th from Fox Searchlight.

• Author
• Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Latest posts by Erik Anderson (see all)

• 2024 North Carolina Film Critics Association (NCFCA) Nominations - December 21, 2024
• 2024 Philadelphia Film Critics Circle (PFCC) Winners: ‘Anora’ Named Best Film Among its Six Awards - December 21, 2024
• 2024 Utah Film Critics Association (UFCA) Nominations - December 21, 2024