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Netflix reteams with Dee Rees for Joan Didion political thriller ‘The Last Thing He Wanted’ with Anne Hathaway

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Dee Rees attends the 90th Annual Academy Awards at Hollywood & Highland Center on March 4, 2018 in Hollywood, California. (Photo by Kevork Djansezian/Getty Images)

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Hot off being the first black woman ever nominated for the Adapted Screenplay Oscar (for Netflix’s Mudbound), Dee Rees is back with streamer for her new film, an adaptation of the Joan Didion political thriller The Last Thing He Wanted. Anne Hathaway is attached to star.

The rights to the novel were optioned in 2016 by Mudbound producer Cassian Elwes. Rees is co-producing and also co-wrote the script with Marco Villalobos.

The story centers around Elena McMahon (Hathaway), a reporter for the Washington Post who quits her job covering the 1984 Presidential primaries to care for her father after her mother’s death. In an unusual turn of events, she inherits his position as an arms dealer for the U.S. Government in Central America. In this sparsely written, quick paced narrative, Elena struggles to cope with the spies, American military personnel, and the consequences of her father’s errors that are waiting for her on a small island off the coast of Costa Rica.

“Dee Rees is an incredibly talented filmmaker who continues to make provocative and entertaining films,” said Netflix film group head Scott Stuber. “We are thrilled to continue our relationship with Dee and proud to have her part of the Netflix family.”

Last season, Mudbound was the film that broke Netflix into the narrative feature races at the Academy Awards as well as setting three Oscar records; earning nominations for Mary J. Blige in Supporting Actress and Original Song (a first for a performer for the same film in the same year), Adapted Screenplay (mentioned above) and the first Cinematography nomination ever for a woman (Rachel Morrison).

Principal photography on The Last Thing He Wanted is expected to start this summer.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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