Online Association of Female Film Critics (OAFFC) nominate 'The Farewell,' 'Honey Boy,' 'Once Upon a Time…'

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THE FAREWELL

The Online Association of Female Film Critics nominations are out and the group showed love for Lulu Wang’s The Farewell, Alma Ha’rel’s Honey Boy and Quentin Tarantino’s Once Upon a Time in Hollywood with multiple mentions.

The Online Association of Female Film Critics is an independent organization consisting of female film journalists and critics from across the globe. The OAFFC serves to uphold the integrity of online film criticism, foster the growing field of female film writers, celebrate and recognize outstanding achievement in cinema through our annual “Best of the Year” awards, and provide professional support for our members.

Winners will be announced on December 23. Here is the full list of nominations.

Best Film

Jojo Rabbit
Marriage Story
Once Upon A Time in Hollywood
Parasite
The Farewell

Best Director

Alma Har’el
Honey Boy

Bong Joon-Ho
Parasite

Martin Scorsese
The Irishman

Quentin Tarantino
Once Upon a Time in Hollywood

Lulu Wang
The Farewell

Best Male Lead

Leonardo DiCaprio
Once Upon A Time In Hollywood

Adam Driver
Marriage Story

Taron Egerton
Rocketman

Joaquin Phoenix
Joker

Adam Sandler
Uncut Gems

Best Female Lead

Awkwafina
The Farewell

Jessie Buckley
Wild Rose

Scarlett Johansson
Marriage Story

Lupita Nyong’o
Us

Renée Zellweger
Judy

Best Supporting Male

Sterling K. Brown
Waves

Willem Dafoe
The Lighthouse

Shia LaBeouf
Honey Boy

Joe Pesci
The Irishman

Brad Pitt
Once Upon a Time in Hollywood

Best Supporting Female

Ana De Armas
Knives Out

Laura Dern
Marriage Story

Jennifer Lopez
Hustlers

Margot Robbie
Bombshell

Zhao Shuzhen
The Farewell

Best Acting Ensemble

Knives Out
Little Women
Once Upon A Time In Hollywood
Parasite
The Irishman

Best Original Screenplay

Noah Baumbach
Marriage Story

Rian Johnson
Knives Out

Bong Joon-ho, Han Jin-won
Parasite

Quentin Tarantino
Once Upon a Time in Hollywood

Lulu Wang
The Farewell

Best Adapted Screenplay

Greta Gerwig
Little Women

Anthony McCarten
The Two Popes

Lorene Scafaria
Hustlers

Taika Waititi
Jojo Rabbit

Steven Zaillian
The Irishman

Best Documentary

American Factory
Apollo 11
Hail Satan
Maiden
One Child Nation

Best Animated Feature

Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4

Best Cinematography

Jarin Blaschke
The Lighthouse

Roger Deakins
1917

Claire Mathon
Portrait of a Lady on Fire

Robert Richardson
Once Upon a Time in Hollywood

Hoyte Van Hoytema
Ad Astra

Breakthrough Filmmaker

Alma Har’el
Honey Boy

Melina Matsoukas
Queen & Slim

Joe Talbot
The Last Black Man in San Francisco

Lulu Wang
The Farewell

Olivia Wilde
Booksmart

Breakthrough Performance

Roman Griffin Davis
Jojo Rabbit

Zack Gottsagen
The Peanut Butter Falcon

Kelvin Harrison Jr.
Waves

Noah Jupe
Honey Boy

Florence Pugh
Midsommar

The Rosie
This OAFFC-specific award “celebrates the film that best promotes women, their voices, and the female experience through cinema.”

Booksmart
Hustlers
Little Women
Portrait of a Lady on Fire
The Nightingale

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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