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Oscar Podcast #28: After Venice, Telluride & TIFF – Who Fell, Who Rose and Who’s in the Lead with special guest Gregory Ellwood

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In this podcast I welcome HitFix co-founder and longtime Oscar pundit Gregory Ellwood (currently at the helm of awardscampaign.com) as we talk about the state of the race post fall festivals and right as NYFF kicks off.

The Danish Girl keeps popping up throughout the podcast (you’ll have to listen to know where we think it landed) as well as Steve Jobs. Is it an actors showcase or can the film go all the way? We also focus on Spotlight and Room making big moves and wonder if Inside Out will crack Best Picture. Beasts of No Nation gets a lot of play as we examine if Netflix has it in them to make it happen.

Gregory and I spar a bit on what we think the Oscar chances for Joy and The Hateful Eight will be and Gregory pulls out a couple of potential ‘surprise’ movies that no one is talking about in the race that could hit big with Oscar.

All this and much more.

Don’t forget to check out Gregory’s new (ad)venture Awards Campaign and you can find him on Twitter at @TheGregoryE.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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