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Oscar Podcast #57: Entering Awards Season Without a Frontrunner

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It’s the first Oscar podcast after the big summer film festivals – Venice, Telluride and Toronto – and usually by now we have a frontrunner. But not this year.

Guillermo del Toro’s The Shape of Water won the Golden Lion at Venice and Martin McDonagh’s Three Billboards Outside Ebbing, Missouri won the People’s Choice Award at Toronto. Both are from Fox Searchlight, but who will they favor in this fall and winter’s awards race?

READ – Frontrunner Friday or: How Late September Doesn’t Have an Oscar Frontrunner

I am joined on Oscar Podcast #57 by Gold Rush Gang member Jason Osiason and Matt Dinn, who both attended Toronto this year and give their thoughts on personal favorites like I, Tonya, Lady Bird and The Florida Project.

Next up is the New York Film Festival which will give us our first looks at Last Flag Flying and Wonder Wheel.

This podcast runs 1h53m

Intro: “Three Billboards Outside Ebbing, Missouri” official trailer B

Outro: “New York City By Day” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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