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Oscar Podcast #72: Post-Nominations talk with guest Valerie Complex

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The 2019 Oscar nominations happened less than 12 hours ago and on this 72nd podcast I am joined by the awesome Valerie Complex to talk about the nominations we liked, what we didn’t like and where we think the Academy is heading with these choices. 

We dig in on the good (Black Panther, BlacKkKlansman, LGBTQ character inclusion) but also talk about how a group that makes impressive and inclusive choices like nominating Yalitza Aparicio and Marina de Tavira (ROMA) can continue to fall back on safe, easy ‘traditional Oscar bait.’

Does the Academy hold back on ‘too many’ black or female or LGBTQ stories and need to coalesce around one or two? Why wasn’t there room for If Beale Street Could Talk or Disobedience? Where’s Crazy Rich Asians or genre films Hereditary and performances likes Toni Collette’s?

All of this and more is covered.

This podcast runs 51m 45s with music.

Opening: Theme for 2019 Oscar nominations announcement

Closing: “New York City By Day” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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