Oscar Podcast #77: Discussing the Oscar Shortlists with guest Will Mavity

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December 20, 2019 8:52 am

The Oscar shortlists dropped earlier this week in nine categories: Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Documentary Feature, International Feature Film, Documentary Short Subject, Animated Short Film and Live Action Short Film.

On this podcast, my guest Will Mavity of Next Best Picture and discuss the first six of those shortlists, identifying the biggest surprises and the biggest snubs but also the bigger picture (and potential) what it means for a film like Parasite to get into Original Song or 1917 to make the cut in both Visual Effects and Makeup & Hairstyling. We also give our predictions in each category.

This podcast is sponsored by Amazon Studios and their films Les Misérables, which made the Oscar shortlist for International Feature Film and One Child Nation, which made the shortlist for Documentary Feature.

This podcast runs 1h 32m with music.

Opening: “Modern Fashion” by AShamaluevMusic

Closing: “New York City By Day,” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.