‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto

September 19, 2022

One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is… Read More

The AwardsWatch Podcast #153: TIFF 2022 Wrap Up

September 19, 2022

On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch… Read More

2023 Oscar Predictions: BEST ACTOR (September)

September 19, 2022

Brendan Fraser in The Whale was the Best Actor frontrunner before the film even debuted at Venice but now, post-TIFF… Read More

‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto

September 18, 2022

In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love… Read More

TIFF 2022: Steven Spielberg’s ‘The Fabelmans’ wins TIFF People’s Choice Award, locks in Oscar prospects

September 18, 2022

Steven Spielberg's The Fabelmans, the personal tale of his growing up years and his inspirations as a young filmmaker, has… Read More

‘Plan 75’ review: Chie Hayakawa’s feature debut is a heartbreaking look at isolation and displacement [B+] | Toronto

September 18, 2022

Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an… Read More

‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto

September 18, 2022

Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope.… Read More

‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto

September 17, 2022

There are films that linger with you after the lights go back on. You keep thinking about them, their characters… Read More

‘EO’ review: Jerzy Skolimowski’s film is a poetic, contemplative and heartbreaking account of human cruelty [A-] | Toronto

September 17, 2022

Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity,… Read More

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