Frameline 40 is about to kick off and here are five movies that well represent this year’s festival. From coming of age stories, great docs,... Read More
Other
[divider style=”solid” top=”20″ bottom=”20″] Voting begins today for the 68th Emmy Awards and with that is the release of the official ballots those nominations will... Read More
[divider style=”solid” top=”20″ bottom=”20″] Hamilton, the biggest Broadway hit in years, dominated the 2016 Tony Awards last night winning 11 of its 16 nominations,... Read More
[divider style=”solid” top=”20″ bottom=”20″] As in Best Director this month, Billy Lynn’s Long Halftime Walk has closed the gap between itself and Silence, which has... Read More
[divider style=”solid” top=”20″ bottom=”20″] We’re finally starting to see Martin Scorsese’s hold on the #1 spot be threatened by Ang Lee as the point spread... Read More
[divider style=”solid” top=”20″ bottom=”20″] While the top 5 remains the same from last month the order has changed. 19-time Oscar nominee and three-time winner Meryl... Read More
[divider style=”solid” top=”20″ bottom=”20″] This month, Nate Parker (The Birth of a Nation) widens his lead over former #1 Casey Affleck (Manchester by the Sea)... Read More
[divider style=”solid” top=”20″ bottom=”20″] Just a few changes in Adapted Screenplay predictions from last month, with the top four remaining in place although Billy Lynn’s Long... Read More
[divider style=”solid” top=”20″ bottom=”20″] Billy Lynn’s Long Halftime Walk and Silence remain deadlocked in a first place tie for the second month in a row. In... Read More
[divider style=”solid” top=”20″ bottom=”20″] Despite Liam Neeson (Silence) still dominating the top spot, we have some changes from last month. Steve Martin (Billy Lynn’s Long... Read More

‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Frameline 40: 5 Films You Must Watch
2016 Emmys: Voting Begins Today; Ballots Reveal Some Odd Submissions
2016 Tony Award Winners: Hamilton Takes 11; POC Win All Four Musical Acting Awards
2017 Oscar Predictions: BEST PICTURE (June)
2017 Oscar Predictions: BEST DIRECTOR (June)
2017 Oscar Predictions: BEST ACTRESS (June)
2017 Oscar Predictions: BEST ACTOR (June)
2017 Oscar Predictions: ADAPTED & ORIGINAL SCREENPLAY (June)
2017 Oscar Predictions: CINEMATOGRAPHY & FILM EDITING (June)
2017 Oscar Predictions: BEST SUPPORTING ACTOR (June)
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes