So, Son of Saul is winning this in a cakewalk, right? Eh, not so fast. This is one of the categories at next week’s... Read More
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The 13th International Cinephile Society‘s Best Picture of 2015 has been awarded to Carol, Todd Haynes’ gorgeous and evocative drama of forbidden love of two... Read More
To absolutely no one’s surprise, The Big Short won the 28th USC Scripter award on Saturday, marching its way to its inevitable WGA and... Read More
Mad Max: Fury Road took home two awards from the Makeup & Hairstyling guild Saturday night, for Best Period and/or Character Makeup and Best... Read More
The sound team from The Revenant won the motion picture live action feature category at the Cinema Audio Society’s 52nd annual awards for sound mixing... Read More
At the moment, Amy, the film about singer Amy Winehouse, is the clear leader to win Best Documentary Feature at the Oscars next week. It... Read More
Tons of love went to Carol, Brooklyn, Mad Max: Fury Road and The Assassin today at the 8th International Online Cinema Awards (INOCA). Carol and Mad Max:... Read More
The jury of the 66th Berlinale film festival — led by Meryl Streep (President), Lars Eidinger, Nick James, Brigitte Lacombe, Clive Owen, Alba Rohrwacher and Malgorzata Szumowska... Read More
The boxing drama Creed delivered a TKO at the 16th Black Reel Awards, winning five awards: Outstanding Film, Outstanding Director (Ryan Coogler, Outstanding Actor... Read More
With just 10 days until The Oscars and a fourth slate of presenters announced just today it’s about time we start thinking about who... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2016 Oscars: Best Foreign Language Film
2016 International Cinephile Society (ICS) Awards Love Carol
The Big Short wins USC Scripter; Show Me a Hero Wins Inaugural TV Award
Mad Max Tops Makeup & Hairstyling Guild Awards; American Horror Story Bests TV Wins
Cinema Audio Society (CAS) Sound Mixing Winners: The Revenant Bests Mad Max, Star Wars
2016 Oscars: Documentary Feature
2016 INOCA Nominations: Carol and Mad Max Lead with 12 Each
66th Berlinale WINNERS: Refugee doc ‘Fire at Sea’ takes the Golden Bear
16th Black Reel Award Winners: Creed Punches Its Way to the Top
2016 Oscars: Who Will Present Best Picture?
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes