It seems like it happens almost every year; the main precursors announce their nominations in the acting categories and we can see the future of... Read More
Other
If you didn’t keep up with The Comeback’s unlikely second season, you missed some of the most compelling television of the year. If The Comeback... Read More
Stephen Sondheim’s musical treatment of the Brothers Grimm fairy tales has been all but canonized by lovers of “highbrow” musical theatre. As such, the selection... Read More
The year draws to an end, and so does our series on the lower rung critics organizations, with Florida, Las Vegas, and Nevada weighing in... Read More
The finalists for the Foreign Language Film Oscar are in and not without some surprising inclusions (the Golden Globe-nominated Tangerines from Estonia) and some shocking... Read More
2015 Oscars: 9 Finalists for Foreign Language Film Oscar – ‘Mommy’ and ‘Two Days, One Night’ Snubbed
2015 Oscars: 9 Finalists for Foreign Language Film Oscar – ‘Mommy’ and ‘Two Days, One Night’ Snubbed
The voting committee for the Foreign Language Film Oscar have voted and nine films will compete for a nomination at the 87th Academy Awards. On... Read More
We’re nearing the end of this series, we think. How many critics organizations can be left, right? Well, they are starting to throw us curveballs... Read More
It’s been three decades since the last time we saw Annie on the big screen and with a winking poke at the traditionally (white) red-headed... Read More
For this installment of our roundup series, we look across US borders to some international critics organizations, more specifically those in Toronto and London, but... Read More
Critics of America, what is this? This is not the general election. Is this your Super Monday? On Monday, seemingly all critics group collectively decided... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2015 Oscars: Are You a Hat or a Shoe? The Race for the 5th Spot
REVIEW: ‘The Comeback’ Season 2 Finale
REVIEW: ‘Into the Woods’
Critics roundup, part 6: The Stragglers
2015 Oscars Poll: Which Five Foreign Language Film Finalists Will Be Oscar Nominated?
Critics roundup, part 5: Because Phoenix really needs two awards
REVIEW: ‘Annie’ (2014)
Critics roundup, part 4: Beyond our borders
Critics roundup, part 3: Super Monday!
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes