Duff Goldman, Mykal-Michelle Harris, Paul Walter Hauser, Bobby Moynihan, Cree Summer, Jacob Tremblay Among Presenters The National Academy of Television Arts & Sciences (NATAS) today... Read More
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The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
In my first dispatch for the 2025 SXSW Film Festival, I take a look at three of the headliners from the festival line-up that features... Read More
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The blinding darkness of a forest hides the blood-suckers. Trees shoot from the ground and extend themselves towards the sky, the tops a canopy for... Read More
It’s a pretty sad commentary on the state of Hollywood filmmaking that the only types of comedies being produced with consistency are hyphenated. Comedy-dramas, horror-comedies,... Read More
“Is it weird that all of the live-action characters are white and all of the non-white actors are CG?” Crafting a Kool-Aid adaptation should feel... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
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Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Bugs Bunny, Daffy Duck Voice Actor Eric Bauza to Host 3rd Children’s & Family Emmy Awards
‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
SXSW 2025 Reviews: ‘Another Simple Favor,’ Death of a Unicorn,’ ‘The Accountant 2’
‘Together’ Review: Dave Franco and Alison Brie Dare and Delight in a Blood-Soaked Flesh for Fantasy [A-] | SXSW
‘Government Cheese’ TV Review: David Oyelowo (Barely) Rises Above in 1960s American Dream Comedy That Can’t Decide What It Wants to Be [C-]
‘The True Beauty of Being Bitten by a Tick’ Review: Maybe the Real Treasure Was the Parasites We Made Along the Way [B+] | SXSW
‘Novocaine’ Review: A Winning Jack Quaid is Comfortably Numb in Painless Action-Comedy [C+]
‘The Studio’ TV Review: Seth Rogen’s Scathing and Hilarious Look at Hollywood From the Inside Gets the Green Light [B+]
Director Watch Podcast Ep. 88 – ‘Primary Colors’ (Mike Nichols, 1998) with Special Guest Ben Miller
The 2024/2025 Oscar Season: What Have We Learned and What Does the Future Hold?
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners