Universal Pictures and DreamWorks Animation’s The Wild Robot leads the 52nd Annie Awards for animation with 10 nominations, which were announced this morning, followed by Walt Disney/Pixar’s... Read More
Other
Jonathan Glazer’s Oscar-winning The Zone of Interest was named Best Film of 2024 by the Dublin Film Critics Circle (DFCC) with Jonathan Glazer also winning... Read More
We have Critics Choice and the Golden Globe screenplay nominations as well as European Film Award winner Emilia Pérez for December predictions. Not a lot... Read More
The UK’s leading film critics announced their nominations for the 45th London Critics’ Circle Film Awards, with Sean Baker’s Anora and Brady Corbet’s The Brutalist leading the nominations with seven... Read More
Adrien Brody has been waiting twenty years for The Brutalist. Well, not exactly waiting, moreso striving, yearning for a part as significant as that of... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
In The Piano Lesson, the cinematic adaptation of August Wilson’s Pulitzer Prize-winning and Tony Award-nominated play, history, emotion, and artistry converge to create a film... Read More
With Critics Choice and Golden Globe nominations we can now add the Oscar shortlists for Documentary Feature and International Feature, narrowing our selections in those... Read More
The American Cinema Editors ACE Eddie nominations (ACE) announced on December 11, with Costume Designers Guild nominations (CDG) on the 13th. Set Decorators Society of... Read More
The Oscar shortlists are in and here are my 2025 Oscar predictions for Makeup & Hairstyling, Original Score, Original Song, Sound and Visual Effects for... Read More

British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
2025 Annie Awards Nominations: ‘The Wild Robot’ Leads with 10
2024 Dublin Film Critics Circle (DFCC) Winners: ‘The Zone of Interest,’ ‘Conclave,’ ‘Kneecap’
2025 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2024 London Critics’ Circle Nominations: ‘The Brutalist’ and ‘Anora’ Lead with Seven
Interview: How Adrien Brody Built a Monument to His Mother with ‘The Brutalist’
Director Watch Ep. 77 – ‘Something’s Gotta Give’ (Nancy Meyers, 2003)
New Featurette on the Ensemble of Malcolm Washington’s ‘The Piano Lesson’ (Exclusive)
2025 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2025 Oscar Predictions: FILM EDITING, CINEMATOGRAPHY, COSTUME DESIGN, PRODUCTION DESIGN (December)
2025 Oscar Predictions: MAKEUP & HAIRSTYLING, ORIGINAL SCORE, ORIGINAL SONG, SOUND, VISUAL EFFECTS (December)
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead