‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
Martin Tsai
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More
‘Last Days’ Review: Sky Yang Excels in Justin Lin’s Muted Missionary Man Adventure [B-] – Sundance Film Festival
Justin Lin’s first non-franchise feature in 18 years, Last Days heralds his return to independent filmmaking. The technical polish he has acquired during his time... Read More
‘Oh, Hi!’ Review: Tie Him Up, Tie Him Down [C+] – Sundance Film Festival
The second feature by Sophie Brooks (The Boy Downstairs), Oh, Hi! starts out as a pretty nondescript indie rom-com that typically makes the rounds at... Read More
‘If I Had Legs I’d Kick You’ Review: Rose Byrne is Mother in Manic Maternal Gut Punch [A-] – Sundance Film Festival
No, If I Had Legs I’d Kick You is not an amputee’s revenge fantasy. The Sundance Film Festival world premiere from Mary Bronstein (Yeast) is... Read More
‘Jimpa’ Review: John Lithgow and Olivia Colman Charm in Sophie Hyde’s Personal but Distant LGBTQIA+ Centered Feature [C-] – Sundance Film Festival
Following the immensely crowd-pleasing Good Luck to You, Leo Grande, Australian filmmaker Sophie Hyde returns to Sundance Film Festival with Jimpa, an ambitious, deeply personal... Read More
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
‘28 Years Later’ Review: Danny Boyle’s iPhone-Shot Zombie Sequel is Audacious, Disjointed, and Bewildering [B] 
Sony Pictures Classics Acquires North American Rights to ‘Nuremberg’ with Russell Crowe and Rami Malek, Sets November Release 
Interview: Patrick Schwarzenegger on Saxon’s Growth in ‘The White Lotus,’ Going Viral with Sam Nivola and Finding His Own Path [VIDEO] 
Oscar-Nominated Composer Carter Burwell Joins Academy Board of Governors; Marlee Matlin, Jason Reitman and More Re-elected