It’s hard to remake a film that means so much to people, but Andrew Ahn’s The Wedding Banquet is a charming and poignant update to... Read More
Other
Do you find cabbages inherently hilarious? Yes, everyone likes the cabbage merchant running gag in Avatar: The Last Airbender (say it with me: “MY CABBAGES!”),... Read More
Anyone who’s paid attention to the last two decades can understand how celebrity worship has warped the cultural zeitgeist. One such way is journalism, where... Read More
‘The Count of Monte Cristo,’ ‘Beating Hearts,’ ‘Emilia Pérez’ Lead France’s César Awards Nominations
‘The Count of Monte Cristo,’ ‘Beating Hearts,’ ‘Emilia Pérez’ Lead France’s César Awards Nominations
Matthieu Delaporte and Alexandre de la Patelliere’s adaptation of Alexandre Dumas’ classic novel The Count of Monte Cristo has topped the nominations for France’s César Awards, followed... Read More
How scared do we allow ourselves to be in the face of disaster? I was not scared watching Didn’t Die, the new zombie movie from... Read More
Amid the recent surge of big screen musicals, Bill Condon (Dreamgirls) returns to the director’s chair with a new adaptation of Kiss of the Spider... Read More
Justin Lin’s first non-franchise feature in 18 years, Last Days heralds his return to independent filmmaking. The technical polish he has acquired during his time... Read More
Three Public College Students Will Win $1000 Each in Scholarship Funds GALECA: The Society of LGBTQ Entertainment Critics has re-launched its Crimson Honors, a college... Read More
“It’s funny, the things you pack and the things you leave,” says Dusty (Josh O’Connor) to a friend in the aftermath of the wildfire that... Read More
The Wedding Banquet, director Andrew Ahn’s (Fire Island) remake of the Oscar-nominated 1993 film from Ang Lee, just world premiered at the Sundance Film Festival... Read More

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‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
‘The Wedding Banquet’ Review: Andrew Ahn Finds Fun and Heart in Frothy Reboot of the Gay Classic [B+] – Sundance Film Festival
‘Bubble & Squeak’ Review: A Wes Anderson Wannabe That Tastes Like Spoiled Cabbages [D] – Sundance Film Festival
‘Opus’ Review: Ayo Edebiri Fights the Evils of Access Journalism in Frustrating Satirical Thriller That’s More Parvum Than Magnum [C+] – Sundance Film Festival
‘Didn’t Die’ Review: Post-Apocalyptic Podcaster Horror Whiffs on Scares, but Nails Life Amidst Disaster [B-] – Sundance Film Festival
‘Kiss of the Spider Woman’ Review: Jennifer Lopez Spins a Tantalizing Web but Tonatiuh is a Star in the Making [B] – Sundance Film Festival
‘Last Days’ Review: Sky Yang Excels in Justin Lin’s Muted Missionary Man Adventure [B-] – Sundance Film Festival
LGBTQ Entertainment Critics Relaunch GALECA’s Crimson Honors for Aspiring LGBTQ Journalists
‘Rebuilding’ Review: Josh O’Connor Quietly Stuns in Max Walker-Silverman’s Solemn but Hopeful Second Feature [A] – Sundance Film Festival
First Trailer for ‘The Wedding Banquet’ Teases Gay Marriage Hijinks in Frothy Update of 1993 Original
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)