American Cinema Editors (ACE) announced today that the organization will honor acclaimed filmmaker Jon M. Chu with the ACE Golden Eddie Filmmaker of the Year... Read More
Other
The Los Angeles Film Critics Association (LAFCA) announced today that it is launching a special 50th anniversary year-long screening series, beginning in January 2025, in... Read More
Disney has long been synonymous with creating beloved animated classics, and Moana 2 is no exception. While audiences have come to expect memorable, culturally rich... Read More
What if they put on the 97th Oscars just to trap Josh Hartnett in the Dolby Theatre? Here are my 2025 Oscar predictions in Best... Read More
Film score is a very particular and essential art form, setting scenes from sweeping, epic romance to claustrophobic terror. Now, our most prolific composer, who... Read More
We don’t need to meet the elusive Jeremy to conclude that he is the Lydia Tár of tennis. A youth coach preparing the next generation... Read More
The queer coming-of-age story has seemingly taken over the LGBT film landscape. Nearly every film festival presents a small handful of movies that focus on... Read More
It’s not every day when you run into a horror movie that can be described as “wholesome,” a “joy to watch,” or “a tearjerker.” For... Read More
Legendary actress Joan Chen didn’t have a typical coming-of-age story. Born in China during the Cultural Revolution, she was plucked out of the crowd at... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
American Cinema Editors (ACE) to Honor Jon M. Chu, Maysie Hoy and Paul Hirsch at 75th ACE Eddie Awards
Los Angeles Film Critics Association (LAFCA) Launches 2025 Screening Series at Egyptian Theatre
Interviews: ‘Moana 2’ Filmmakers talk Journey of Growth, Sisterhood, and Uncharted Waters [VIDEO]
2025 Oscar Predictions: BEST ACTOR (October)
‘Music by John Williams’ Review: Laurent Bouzereau Beautifully Scores the Life of Hollywood’s Most Prolific Composer | AFI FEST
‘Julie Keeps Quiet’ Review: Tennis Drama Muffles its Lead Instead of Challenges Her | London Film Festival
‘Baby’ Review: Marcelo Caetano’s Underdeveloped Queer Coming of Age Story Never Fully Blooms | Chicago International Film Festival
Interview: ‘Dead Talents Society’ (鬼才之道) Writer/Director John Hsu and Actress Gingle Wang Talk About the Award-Winning International Horror Hit
Interview: With ‘Dìdi,’ Joan Chen is Finally Getting Her Coming of Age Story
Director Watch Podcast Ep. 69 – ‘Devil in a Blue Dress’ (Carl Franklin, 1995)
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry