A week ago, Paul Thomas Anderson won three Oscars for One Battle After Another: Best Picture, Best Director and Best Adapted Screenplay, capping off a... Read More
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The nominations for the BAFTA TV Awards were announced early this morning and the multi-award-winning limited series Adolescence dominated with 12, including nods for Emmy... Read More
Three individuals and two writing teams have been selected as the recipients of the Academy of Motion Picture Arts and Sciences’ 2025-2026 Nicholl Fellowships in... Read More
One of the best films of the decade so far arrives on 4K this week alongside a classic 1980s action flick, and a modern gem... Read More
On episode 145 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss... Read More
South by Southwest (SXSW) today announced the 2026 SXSW Film & TV Festival Jury and Special Award winners, honoring filmmakers and designers in the SXSW Film... Read More
On episode 144 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jesse Nussman to discuss the latest... Read More
The Association of Motion Picture Sound (AMPS) has announced the 2026 nominations for its annual Excellence in Sound Awards, recognising outstanding achievement in Television Drama,... Read More
The Oscars are barely in our rear view mirror but studios are lining up to show off their 2026 blockbuster wares with first trailers for... Read More
To talk about science fiction is to talk about humanity, and with that comes the inevitable ideas about immortality and extended consciousness. Anima isn’t the... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do
Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes