AwardsWatch Podcast Ep. 250: 51st Telluride Film Festival Roundup with Special Guest Christina Birro
AwardsWatch Podcast Ep. 250: 51st Telluride Film Festival Roundup with Special Guest Christina Birro
On episode 250 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and special guest Christina... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
Will Ferrell to Receive Kirk Douglas Award For Excellence in Film at 40th Santa Barbara International Film Festival
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride
‘The Piano Lesson’ Review: Malcolm Washington’s Promising Debut Feature Makes Him One to Watch Out For | Telluride
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry