Film at Lincoln Center (FLC) has announced the 32 films that will comprise the Main Slate of the 62nd New York Film Festival (NYFF), taking... Read More
Other
TIFF today unveiled its 2024 Centerpiece lineup, presented by Marriott Bonvoy, featuring 43 titles from filmmakers representing 41 countries. The selection includes 18 World Premiere titles from Algeria, Australia, Belgium, Canada, Chile,... Read More
In 1998, Guy Ritchie erupted onto the British cinema scene with Lock, Stock and Two Smoking Barrels. The gangster movie, which in itself took inspiration... Read More
On episode 244 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to give their thoughts on the career... Read More
Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
In Mikko Mäkelä’s second feature film, Sebastian, a queer 25-year-old aspiring writer named Max living in London begins a double life as a sex worker... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
The race for the next International Feature Film Oscar has begun and Ireland is first out of the gate. Rich Peppiatt’s film Kneecap will represent the country... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More

‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead
North Texas Film Critics Association (NTFCA) Nominations
Interview: ‘Marty Supreme’ Casting Director Jennifer Venditti on Finding 1950s Faces and the Magic of Collaborating with Josh Safdie
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
The Oscars Move to YouTube Beginning in 2029
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN (December)
2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2026 Oscar Predictions: SUPPORTING ACTOR (December)
62nd New York Film Festival Main Slate Includes Cannes Winner ‘Anora,’ plus ‘Hard Truths,’ ‘The Brutalist’ and More
2024 TIFF Centerpiece International Lineup Boasts 43 Films From 41 Countries
‘Duchess’ Review: Neil Marshall’s Charmless Guy Ritchie Rip-Off is a Female Empowerment Forgery
AwardsWatch Podcast Ep. 244: Reviewing ‘Trap’ and a Look Back at M. Night Shyamalan’s Complicated Career
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
Interview: ‘Sebastian’ Director Mikko Mäkelä and Star Ruaridh Mollica Reflect on Telling Queer Stories with Authenticity
Director Watch Podcast Ep. 57 – ‘Deja Vu (Tony Scott, 2006) with guest Brendan Cassidy of InSession Film
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
2025 Oscars: Official Submissions for International Feature Film
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead