Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
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Apple TV+ revealed its first teaser for Disclaimer, the highly anticipated psychological thriller starring Academy Award winners Cate Blanchett and Kevin Kline. Told in seven... Read More
TIFF announced Primetime programs for the 2024 season and its Short Cuts, supported by the Ontario Arts Council. The 49th edition of the Toronto International Film Festival,... Read More
Sony Pictures today released the first trailer for Jason Reitman’s Saturday Night, based on the true story of what happened behind the scenes in the... Read More
TIFF has announced the 2024 selection for the Wavelengths program, and the TIFF Classics program, presented by MUBI, and supported by Ontario Creates and the Canada Council for the... Read More
Film at Lincoln Center announces Luca Guadagnino’s Queer as the Spotlight Gala of the 62nd New York Film Festival, making its U.S. Premiere at Alice Tully Hall... Read More
Was Madame Web just the warm-up for a bigger blockbuster disaster on the horizon? Lionsgate’s adaptation of the video game franchise Borderlands – credited to... Read More
On episode 245 of The AwardsWatch Podcast, we’re doing things a little different. Splitting off from the main pod that drops on Mondays, AwardsWatch Editor-In-Chief... Read More
Today, TIFF announced the lineup for the 2024 selection for its Docs program presented by A&E IndieFilms, featuring 21 titles from 24 countries around the... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
Director Watch Podcast Ep. 58 – ‘Unstoppable’ (Tony Scott, 2010)
Trailer for Alfonso Cuarón’s Limited Series ‘Disclaimer’ with Oscar Winners Cate Blanchett and Kevin Kline
2024 TIFF Lineups for Primetime and Shorts Include Alfonso Cuarón’s ‘Disclaimer,’ New Films from Dakota Johnson, Maika Monroe, Connor Jessup
First Trailer for Jason Reitman’s Tale of the Manic Debut of ‘Saturday Night’
2024 TIFF Wavelength and Classics Lineups to Feature Miguel Gomes, Wang Bing, Atom Egoyan and More
Luca Guadagnino’s ‘Queer’ Announced for Spotlight Gala at 62nd New York Film Festival
‘Borderlands’ Review: Lock This Disaster in a Vault and Throw Away the Key
AwardsWatch Podcast Ep. 245: Looking at the Top Awards Contenders of the Venice, TIFF and NYFF Lineups
2024 TIFF Docs Program Featuring New Films by Eddie Huang, Billy Corben, Raoul Peck and Leila Amini
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry