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Interview: Asif Kapadia Breaks Down His Genre-Bending Venice Entry ‘2073,’ AI, and Why He Cast Samantha Morton

Interviews (Film)

Interview: Asif Kapadia Breaks Down His Genre-Bending Venice Entry ‘2073,’ AI, and Why He Cast Samantha Morton

Connor Lightbody September 6, 2024

British director Asif Kapadia has a penchant for the tragedy; his works include a triple threat of documentaries on icons – the tragic loss of... Read More

2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’

Erik Anderson September 6, 2024

ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from Brooklyn, Madison owns the screen... Read More

‘Love (Kjærlighet)’ Review: First There Was ‘Sex,’ Now Dag Johan Haugerud’s Middle Trilogy Film Looks for What ‘Dreams’ May Come | Venice

Savina Petkova September 6, 2024

Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the Berlinale and Dreams is still... Read More

‘Presence’ Review: Steven Soderbergh’s Haunted House Drama is Quietly Terrifying | TIFF

J Don Birnam September 6, 2024

Haunted houses are scary, but the hidden personal demons that are common in our modern society are at least just as disturbing. In Steven Soderbergh’s... Read More

‘The Girl with the Needle’ Review: Magnus von Horn Serves a Gripping and Bleak Tale of Unspeakable Violence | TIFF

Mina Takla September 6, 2024

In his third feature, Swedish filmmaker Magnus von Horn delivers a striking look at one of Denmark’s most haunting crimes. What could have been a... Read More

‘The Luckiest Man in America’ Review: A Game Show Scandal Fuels a Compelling Character Study with an Uncanny Performance by Paul Walter Hauser | TIFF

Reuben Baron September 6, 2024

With the streaming bubble on the verge of collapse and cable in continual freefall, we’re seeing more and more filmmakers making movies about the television... Read More

2024 Telluride Film Festival Capsule Reviews: ‘The End,’ ‘Emilia Peréz,’ ‘Saturday Night’

Erik Anderson September 5, 2024

In this Telluride Film Festival capsule review edition we’ve got Joshua Oppenheimer’s golden age musical The End, Jacques Audiard’s Cannes-winning musical Emilia Peréz and Jason... Read More

Director Watch Podcast Ep. 62 – ‘The New World’ (Terrence Malick, 2005) with Guest Karen Peterson

Ryan McQuade September 5, 2024

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More

‘April’ Review: A Timely and Terrifying Abortion Story in Eastern Europe | Venice

Roberto Ruggio September 5, 2024

All over the world, with the rise of the alt-right, attempts are being made at a daily pace restrict the access to abortion. The landmark... Read More

‘Harvest’ Review: Transplanting English to Scottish Locales Does No Favors for Athina Rachel Tsangari’s Adapted Historical Tale | Venice

Yasmine Kandil September 5, 2024

Two names come to mind on mention of filmmakers who found their feet in the Greek New Wave Cinema movement; Yorgos Lanthimos and Athina Rachel... Read More

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