Once a staple of old Hollywood, it has been years since anyone has truly been able to recreate the screwball comedy. In the 1930s and... Read More
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The Toronto International Film Festival has announced five more World Premiere titles from the Gala program, sponsored by Dyson, and the Special Presentation program. Today’s films are from internationally acclaimed filmmakers and... Read More
Paramount Pictures today revealed the first trailer for Gladiator II from director Ridley Scott and starring Paul Mescal, Pedro Pascal, Denzel Washington, Joseph Quinn, Fred Hechinger and... Read More
The art of photography and filmmaking can go hand and hand in a lot of ways, as both are a visual representation of human expressions... Read More
On episode 239 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and... Read More
Netflix has released eight new images from Heartstopper Season 3, coming October 3, and you can also watch the official date announcement below, featuring an... Read More
Willem Dafoe is the new Artistic Director of the Theatre Department of La Biennale di Venezia for the two-year term 2025-2026, it was announced today. The appointment was deliberated by... Read More
[Warning: heavy spoilers below] For fans of Game of Thrones and the subsequent prequel series House of the Dragon, perhaps one of the greatest wishes... Read More
Wings and fire clash in the sky as the Targaryen civil war moves into a bloody section of the noble family’s history. After being outmaneuvered... Read More
Horror movies have increasingly felt the need to be bigger, badder, and bloodier over time, outdoing their predecessors by filling audiences with even more unimaginable... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
‘Fly Me to the Moon’ Review: Failure to Launch
Ron Howard’s ‘Eden,’ ‘We Live in Time’ with Andrew Garfield and Florence Pugh to World Premiere at Toronto International Film Festival
First Trailer for ‘Gladiator II’ Reveals Pageantry, Vengeance and a Shark
Cowboys Like Us: Director Luke Gilford on Found Families, Exploring Queer Rodeo Culture, and Providing a Beacon of Hope with National Anthem [Interview]
AwardsWatch Podcast Ep. 239: Reviewing ‘MaXXXine’ and Our Favorite L.A.-based Films
New Images from ‘Heartstopper’ Season 3
Willem Dafoe Appointed Artistic Director of La Biennale di Venezia Theatre Department for 2025-2026
Interview: Eve Best on Dragon Riding, Targaryen Psychological Warfare and Rhaenys’s Fate in ‘House of the Dragon’
‘House of the Dragon’ S2 E4 Recap: Stop Dragon My Heart Around
‘Longlegs’ Review: Osgood Perkins’ Homage-Cloaked Horror Sometimes Spooks but Mostly Hides Original Ideas in the Shadows
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry