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Mina Takla

Mina Takla is a foreign correspondent for AwardsWatch and the co-founder of The Syndicate, an online news agency that offers original content services to several film brands including Empire Magazine’s Middle East edition and the Dubai Film Festival. Takla has attended, covered and written for multiple film festivals online including the Dubai International Film Festival, Abu Dhabi Film Festival, Cannes, Venice, Berlin and Annecy Film Festivals. He has been following the Oscar race since 2000 with accurate, office-pool winning predictions year after year. He writes monthly in Empire Arabia, the Arabic version of the world’s top cinema magazine and conducts press junkets with Hollywood stars in the UK and the US. He holds a Master’s degree in Strategic Marketing from Australia’s Wollongong University and is currently based in Dubai, UAE.

2019 Oscars: The Foreign Language Film Shortlist Predictions

The 9-film shortlist for the Foreign Language Film Oscar will be revealed on December 17th It’s that time of the year again! After enjoying so many wonderful Foreign Language Oscar contenders in Cannes, Venice, TIFF and Berlin, the Academy’s Foreign Language committee will finally weigh in on Monday December 17 with their shortlist of 9 FLF contenders vying for the …

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A Cry From the Heart: An interview with ‘Capernaum’ director Nadine Labaki

Nadine Labaki With CAPERNAUM, Nadine Labaki has captured the hearts of audiences across the globe. From Cannes (where the film nabbed the Jury Prize) to Sarajevo and Melbourne (both of which awarded the film their Audience Prize), the film is clearly resonating with audiences and will be one of the biggest Foreign Language Oscar contenders of the year. At TIFF, …

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Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’

Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that never rise above the level of average survival stories. ARCTIC falls somewhere in between: it doesn’t fully engage compared to better survival films but doesn’t fall completely flat either. But watching the film, we couldn’t …

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