FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING 
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN 
FINAL 2026 Oscar Predictions: COSTUME DESIGN 
‘Hoppers’ Review: Pixar is Back With Their Best Film in Years [B+] 
32nd SAG Actor Awards: ‘Sinners,’ ‘The Pitt,’ ‘ The Studio’ Take Top Honors 
30th Art Directors Guild (ADG) Awards: ‘Frankenstein,’ One Battle After Another,’ ‘Severance’ and More 
16th Guild of Music Supervisors (GMS) Awards: ‘Sinners,’ ‘Marty Supreme,’ ‘One Battle After Another’ 
37th Producers Guild Awards (PGA): ‘One Battle After Another’ Takes Top Film Prize 
A Guide to the 2026 Oscar-Nominated Documentary Short Films 
A Guide to the 2026 Oscar-Nominated Live Action Short Films 
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING 
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN 
FINAL 2026 Oscar Predictions: COSTUME DESIGN 
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26) 
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More
Other
‘The Room Next Door’ Review: Pedro Almodóvar’s Rumination on Death is an Actress Extravaganza for Tilda Swinton and Julianne Moore | Venice
It took two powerhouse actresses, a story about death, and the lure of a bold new challenge to finally coax Pedro Almodóvar into making his... Read More
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
‘Wolfs’ Review: Brad Pitt and George Clooney Deliver the Ultimate (and Wholesome) Face Off in Jon Watts’ Exciting New Thriller | Venice
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds slide down over some French... Read More
‘Conclave’ Review: The Audacity of Pope | Telluride
“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his latest film, Conclave, on the... Read More
‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
‘Don’t Let’s Go to the Dogs Tonight’ Review: A Ghostly, Ghastly Tale of Growing Up During an African Civil War | Telluride
Alexandra Fuller’s award-winning memoir Don’t Let’s Go to the Dogs Tonight gets cinematic treatment, courtesy of first-time writer/director Embeth Davidtz, who also stars in the... Read More
‘The Friend’ Review: Naomi Watts and a Very Good Boy Named Bing Make for a Deeply Dignified Dog Story | Telluride
You don’t ever own your dog, not really. When you bring one into your life, you simply become their human, their companion, and protector, the... Read More
‘Hoppers’ Review: Pixar is Back With Their Best Film in Years [B+]