Returning to the Croisette with a euphoric, rebellious bang, Cannes regular Kirill Serebrennikov (2018’s Leto, 2021’s Petrov’s Flu, 2022’s Tchaikovsky’s Wife) brings Limonov – The... Read More
Other
Admit it. Who of us haven’t stared in the mirror or at old photos of our younger selves and longed to go back to the... Read More
Amidst the whirlwind of success surrounding Amazon’s Red, White & Royal Blue, I caught up with Nicholas Galitzine, who graciously offered insights into navigating newfound... Read More
Taylor Zakhar Perez does not take his status as a celebrity lightly. “I’m a blue collar kid in an extraordinary circumstance in Los Angeles,” much... Read More
Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More
On episode 232 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch TV Editor Tyler Doster to discuss NEON’s latest film, Babes,... Read More
It is hard to put Jacques Audiard in one mold. The French director keeps tackling different genres without ever giving you a hint of what... Read More
Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has... Read More
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More

FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
‘Limonov – The Ballad’ Review: Ben Whishaw is Unrestrained in Inspired Biopic of the Rebel Vagabond | Cannes
‘The Substance’ Review: Demi Moore Delivers an Utterly Fearless Performance in Coralie Fargeat’s Gnarly Examination of How We See Ourselves | Cannes
Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]
Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]
‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes
AwardsWatch Podcast Ep. 232: Reviewing ‘Babes’ and Updated 2024 Emmy Predictions
‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes
‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]