Luca Guadagnino’s Queer, adapted from William S. Burroughs’ novel, opens with a nostalgic nod to Call Me By Your Name, using a splashy blue font... Read More
Other
The Santa Barbara International Film Festival is honored to announce that actor, writer, producer, and comedy legend Will Ferrell will be receiving the 17th annual Kirk Douglas Award... Read More
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More
Stories observing the lives of the wealthy elite are ubiquitous in modern cinema. Whether the film is as daring and precise as Parasite or as... Read More
Malcolm Washington’s directorial debut, The Piano Lesson, doesn’t start out like the original source material from stage by the legendary playwright August Wilson. Instead of... Read More
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as the Best Actress award, shared... Read More
From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever taping of Saturday Night Live,... Read More
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More
Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More

AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]
‘Beef’ Season 2 Review: Oscar Isaac, Carey Mulligan, Cailee Spaeny and Charles Melton Sink Their Teeth Into Lee Sung Jin’s Meaty Morality Tale [A-]
Interview: Director David Lowery on How ‘The Red Shoes,’ Taylor Swift, and Artistic Internal Struggles Were Forged to Conjure Up ‘Mother Mary’ [AUDIO]
George Clooney to be Honored at 51st Chaplin Award Gala by Stephen Colbert, Sam Rockwell and More
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
Will Ferrell to Receive Kirk Douglas Award For Excellence in Film at 40th Santa Barbara International Film Festival
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride
‘The Piano Lesson’ Review: Malcolm Washington’s Promising Debut Feature Makes Him One to Watch Out For | Telluride
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)