Most people in the United States know of the 1964 Civil Rights Act that outlawed discrimination based on race, color, religion, sex, and national origin.... Read More
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From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
Yorgos Lanthimos is back with a whole new wonderful and wacky creation. Poor Things is a twisted and spellbinding coming-of-age tale that sees Emma Stone... Read More
The first of four Roald Dahl short stories adapted by Wes Anderson as part of Netflix’s reported half-a-billion-dollar deal with the Dahl Estate, The Wonderful... Read More
The year is 1755, the place—Jutland peninsula which begins in Denmark and ends in Germany, the man—captain Ludvig Kahlen (Mads Mikkelsen). In what seems like... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Ferrari is Modena, and Modena is Ferrari. The small city in Northern Italy has a medieval centre with red roofs and a white clock tower... Read More
Having recently watched Sofia Coppola’s first feature, The Virgin Suicides, I was struck by the honesty in which she portrays the young sisters led by... Read More
“History repeats itself, first as tragedy, second as farce.” -Karl Marx There’s certainly no more controversial figure in Chile than that of dictator Augusto Pinochet.... Read More
MGM and Amazon Studios have released the first trailer for Saltburn, Oscar winner Emerald Fennell’s follow up to her Oscar-winning debut Promising Young Woman. A... Read More

Director Watch Ep. 135 – ‘Bulworth’ (Warren Beatty, 1998)
Chicago Indie Critics (CIC) Winners: ‘Sinners’ Nabs 10 Awards
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
‘Rustin’ Review: Colman Domingo Brings the Civil Rights Legend to Life | Telluride
‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson’s First of Four New Adaptations of Roald Dahl Shorts Heralds a New Era for the Filmmaker | Venice
‘The Promised Land’ Review: Mads Mikkelsen is Fierce and Stoic in Nikolaj Arcel New Nordic Western | Venice
Director Watch Podcast Ep. 8 – ‘Prisoners’ (Villeneuve, 2013)
‘Ferrari’ Review: Michael Mann’s Return is a Propulsive, Poignant Look at a Legend’s Most Turbulent Period | Venice
‘Lost in Translation’ Retrospective: A Kiss is Still a Kiss
‘El Conde’ Review: Larrain’s Brilliant and Twisted Satire About Fascism Has Bite | Venice
Barry Keoghan and Jacob Elordi Scorch in First Trailer for ‘Saltburn’
Director Watch Ep. 135 – ‘Bulworth’ (Warren Beatty, 1998)
Chicago Indie Critics (CIC) Winners: ‘Sinners’ Nabs 10 Awards