Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
Other
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More
Most people in the United States know of the 1964 Civil Rights Act that outlawed discrimination based on race, color, religion, sex, and national origin.... Read More
From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
Yorgos Lanthimos is back with a whole new wonderful and wacky creation. Poor Things is a twisted and spellbinding coming-of-age tale that sees Emma Stone... Read More
The first of four Roald Dahl short stories adapted by Wes Anderson as part of Netflix’s reported half-a-billion-dollar deal with the Dahl Estate, The Wonderful... Read More
The year is 1755, the place—Jutland peninsula which begins in Denmark and ends in Germany, the man—captain Ludvig Kahlen (Mads Mikkelsen). In what seems like... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Ferrari is Modena, and Modena is Ferrari. The small city in Northern Italy has a medieval centre with red roofs and a white clock tower... Read More
Having recently watched Sofia Coppola’s first feature, The Virgin Suicides, I was struck by the honesty in which she portrays the young sisters led by... Read More

‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
AwardsWatch Podcast Ep. 331 – The State of the Oscar Race Post-DGA
Latino Entertainment Journalists Association (LEJA) Film Awards: ‘Sinners’ Wins 6, Including Best Picture
International Cinephile Society (ICS) Awards: ‘The Secret Agent’ Wins Six, Including Acting Prizes for Wagner Moura and Tânia Maria
Directors Guild of America (DGA) Awards: Paul Thomas Anderson Wins for ‘One Battle After Another’
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
‘Rustin’ Review: Colman Domingo Brings the Civil Rights Legend to Life | Telluride
‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson’s First of Four New Adaptations of Roald Dahl Shorts Heralds a New Era for the Filmmaker | Venice
‘The Promised Land’ Review: Mads Mikkelsen is Fierce and Stoic in Nikolaj Arcel New Nordic Western | Venice
Director Watch Podcast Ep. 8 – ‘Prisoners’ (Villeneuve, 2013)
‘Ferrari’ Review: Michael Mann’s Return is a Propulsive, Poignant Look at a Legend’s Most Turbulent Period | Venice
‘Lost in Translation’ Retrospective: A Kiss is Still a Kiss
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
AwardsWatch Podcast Ep. 331 – The State of the Oscar Race Post-DGA