Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
Other
You can tell that Timm Kroeger was a cinematographer before he was a director. The German filmmaker’s second feature, following 2014’s well-regarded The Council of... Read More
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with their first narrative feature, NYAD.... Read More
Around five years ago, director Jeff Nichols came across a book of photography by Danny Lyon called The Bikeriders, which showed a group of greased... Read More
It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
Harmony Korine’s Aggro Dr1ft is best described as a perverted Grand Theft Auto-style fantasy. It’s an experimental film to its core, ignoring almost all narrative... Read More
That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is a telling sign of its... Read More
Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More

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‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
‘The Theory of Everything’ Review: Timm Kroeger’s Sophomore Feature is a Pulpy Adventure, as Impressive as it is Baffling | Venice
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride
‘The Bikeriders’ Review: Jeff Nichols’ Greaser Gang Takes a Road to Nowhere | Telluride
‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
‘Aggro Dr1ft’ Review: Harmony Korine’s Latest is a Sexist, Crude Grand Theft Auto-style Knockoff | Venice
‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
‘The Bride!’ Review: Maggie Gyllenhaal Goes For Baroque in Messy, Misguided Post-Modern Monster Movie [D]
‘Sinners’ Dominates Society of LGBTQ Entertainment Critics Dorian Awards; Rose Byrne, Amy Madigan Win Acting Prizes