Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
Other
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
Much like her character Daisy Jones, Riley Keough is not the muse; she’s the somebody. The Amazon television series Daisy Jones and the Six transported... Read More
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
Has there ever been a franchise more critic-proof than The Fast and the Furious? What started as the story of undercover LAPD officer Brian O’Conner... Read More
Documentary short and narrative short filmmaker Christopher Manning (Jamie, Isha, Nowhere) will make his feature directorial debut with James Ivory: In Search of Love and Beauty,... Read More
Creativity fascinates Zachary Wigon. “I love reading books about creativity and how it functions. It’s so interesting and so mysterious.” In the eight years since... Read More
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More
The 2023 San Francisco International LGBTQ+ Film Festival (Frameline47) returns with the year’s largest film showcase in Northern California, and guests including Taylor Mac, Alaska,... Read More

Oscar-Nominated Director Sam Davis on Creating ‘The Singers,’ Finding His Stars, and His Own Path to Filmmaking [VIDEO INTERVIEW]
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
AwardsWatch Podcast Ep. 331 – The State of the Oscar Race Post-DGA
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Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
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‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
Interview: Riley Keough reflects on ‘Daisy Jones and the Six,’ putting in the work and winning the Caméra d’Or on her birthday
‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
Shut up and drive: ‘The Fast and the Furious’ franchise ranked
Christopher Manning set for James Ivory feature documentary, with interviews from Emma Thompson, Helena Bonham Carter and more
Interview: Tied up and tied down with ‘Sanctuary’ director Zachary Wigon
‘Monster’ review: Hirokazu Kore-eda’s return to Japan is a nuanced morality tale | Cannes
Frameline47 lineup: San Francisco LGBTQ+ fest set to light up the Bay Area
Oscar-Nominated Director Sam Davis on Creating ‘The Singers,’ Finding His Stars, and His Own Path to Filmmaking [VIDEO INTERVIEW]
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards