Everything Everywhere All At Once and The Banshees of Inisherin topped the 2022 Houston Film Critics Society (HFCS) winners with three awards apiece in a... Read More
Other
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
All Quiet on the Western Front has been named Best Film by the EE BAFTA Film Awards, leading the overall wins of the evening with... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
The Art Directors Guild announced winners tonight for its 27th Excellence in Production Design Awards in motion pictures, television, commercial and music video categories in... Read More
The 75th DGA Awards, honoring the outstanding directorial achievement in feature film, documentary, television and commercials of 2022, are taking place tonight at The Beverly Hilton Hotel in Beverly Hills... Read More
As the pair whose film leads the Oscar nominations, I think The Daniels (Everything Everywhere All At Once) are the team to beat at the... Read More
American indie favorite Dustin Guy Defa returns to Berlinale with a feature almost a decade after his short film Person to Person screened fresh out... Read More
BlackBerry, the follow-up to his 2016 docu-fiction Operation Avalanche, sees actor-director Matt Johnson put inventors, investors, and the internet to the test in a nostalgia-fueled... Read More

‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999)
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
2022 Houston Film Critics Society (HFCS) winners
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
76th EE BAFTA Film Awards: ‘All Quiet on the Western Front’ earns record-breaking seven wins including Best Film, Director; all white winners prevail
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
27th Art Directors Guild (ADG) winners: ‘Babylon,’ ‘Everything Everywhere All At Once,’ ‘Severance’
75th Directors Guild of America (DGA) awards: The Daniels win for ‘Everything Everywhere All At Once’
‘The Adults’ review: Dustin Guy Defa misses the mark in this quirky family drama | Berlinale
‘BlackBerry’ review: 90s nostalgia yields little cinematic juice in what feels like mid-TV at best | Berlinale
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]