Aftersun, the debut feature from Charlotte Wells, which premiered at Cannes and swept through the fall festivals to end up the best-reviewed film of the... Read More
Other
“C’mon, Oscar,” says Bette Davis in The Star (1952), clutching one of her own golden statuettes from the 1930s. “Let’s you and me get drunk!”... Read More
The Atlanta Film Critics Circle has chosen The Daniels’ Everything Everywhere All At Once as the best film of 2022, also awarding the pair Best... Read More
Steven Spielberg’s The Fabelmans – this year’s prospective Best Picture frontrunner, the 2022 Toronto International Film Festival’s People’s Choice Award winner, and the latest film... Read More
2022 New York Film Critics Circle (NYFCC) winners: ‘TÁR’ takes Best Film, Actress; A24 has a big day
2022 New York Film Critics Circle (NYFCC) winners: ‘TÁR’ takes Best Film, Actress; A24 has a big day
The New York Film Critics Circle, the first of the top tier trifecta of critics’ groups that includes Los Angeles and the National Society of... Read More
From the moment Amores Perros debuted in 2000, writer-director Alejandro González Iñárritu has been examining the emotional tapestry of the human condition, leaving audiences enamored... Read More
One of my favorite Christmas poems growing up goes, “‘Twas the night before Christmas, when all through the house, not a creature was stirring, except... Read More
Guillermo Del Toro’s Pinocchio may be one of the most stunning technical achievements of the decade. The Academy award- winning director constantly takes on new... Read More
In music, Janelle Monáe has been an ArchAndroid and an Electric Lady. In film, she burst onto the scene in 2016 co-starring in the SAG... Read More
The Motion Picture Sound Editors (MPSE) announced today that it will honor two-time Academy Award-nominated Supervising Sound Editor Gwendolyn Yates Whittle with its 2023 Career... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
‘Aftersun’ tops British Independent Film Awards (BIFA) with seven; ‘Blue Jean’ wins four prizes
‘The Star’ retrospective: Bette Davis put the camp in Oscar campaign in the zenith of meta awards movies
Atlanta Film Critics Circle Awards: ‘Everything Everywhere All At Once’ wins Best Picture
This season’s box office for traditional awards films is bad, but does it matter?
Interview: Alejandro González Iñárritu on the duality of identity and making his personal dreams the foundation of his vibrant cinematic reality with ‘Bardo’
‘Violent Night’ review: Merry Christmas to all, and to all a good fight
Cinematographer Frank Passingham on merging worlds and bringing the stop motion of ‘Guillermo del Toro’s Pinocchio’ to life
Interview: Janelle Monáe defines her own success and in ‘Glass Onion’ her talent is no mystery
Motion Picture Sound Editors to honor Gwendolyn Yates Whittle with 2023 Career Achievement Award
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online