The African American Film Critics Association (AAFCA) announced today that winners of the 14th Annual AAFCA Awards honoring outstanding achievement in film will be announced... Read More
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The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More
If you were a certain kind of teenager in 2012, The Perks of Being a Wallflower would’ve been your Bible. It defined how it felt... Read More
Opening with a “special thanks” immediately preceding a reverse order roll of the end credits may seem like a peculiar choice for any film, let... Read More
The American Film Institute (AFI) announced today the full lineup for this year’s AFI FEST Film Festival including BONES AND ALL, directed by Academy Award-nominee... Read More
On episode 154 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer,... Read More
After a lot of back and forth on when Apple would release the Antoine Fuqua-directed slave drama Emancipation, starring last season’s Best Actor Oscar winner... Read More
2022 honorees also include Kerry Condon, JD Dillard, Nicholas Hoult, Jonathan Majors, Jeremy Pope, Sandy Powell, and Henry Selick The Savannah College of Art and Design... Read More
The brutal murder of Emmett Louis Till made headlines around the world 1950s America. People were aware that Black people in the U.S. were being... Read More
When the pandemic hit the U.S., my fear of death oddly became most apparent when I would venture out to the grocery store. Strange, I... Read More

2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do
Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
African American Film Critics Association (AAFCA) reveal timeline for 14th awards
‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
‘The Perks of Being a Wallflower’ at 10: How Stephen Chbosky turned “We accept the love we think we deserve” into a teenage celebration of self [Retrospective]
‘TÁR’ review: Portrait of the Artist on Fire | NYFF [A]
2022 AFI FEST full lineup announced: ‘Bones and All,’ ‘Women Talking’ and ‘SR.’ added
The AwardsWatch Podcast #154: Summer Box Office draft results and a deep dive on the Best Actor and Best Actress races
Trailer: Will Smith’s slave drama ‘Emancipation’ gets trailer and December release, enters awards season
SCAD Savannah Film Festival lineup; Eddie Redmayne, Janelle Monáe, Sadie Sink among honorees
‘Till’ review: Danielle Deadwyler is astounding in Chinonye Chukwu’s tribute to a mother’s courage and love [B+] | NYFF
‘White Noise’ review: Noah Baumbach creates a new American soundtrack with his ambitious adaptation of Don DeLillo’s iconic novel [B+] | NYFF
2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)