2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
Film Academy Announces 2025-2026 Nicholl Fellowships 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23 
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
‘Chevalier’ review: Stephen Williams’ sumptuous story of a long-forgotten historical figure is brought to life by a charismatic Kelvin Harrison Jr. [B+] | Toronto
Joseph Bologne, also known as Chevalier de Saint-Georges, was a brilliant composer, artist, and military man who has been largely lost in time. Considered the... Read More
Other
‘Good Night Oppy’ review: Ryan White presents an eye-opening trip aboard the plucky and resilient Mars rovers [B+] | Toronto
Our world hasn’t quite caught up to expectations set by science fiction of flying cars, starships, and first contact with aliens. Actual technological developments are... Read More
The AwardsWatch Podcast #152: 2022 Emmy Awards Wrap Up
On episode 152 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and TV Editor Tyler Doster to give... Read More
2022 Primetime Emmy Awards: ‘The White Lotus,’ ‘Ted Lasso,’ ‘Succession’ take home top prizes, ‘Squid Game’ makes history
The 74th Primetime Emmy Awards were handed out tonight, where The White Lotus, Ted Lasso, and Succession were the top series winners. The ceremony was... Read More
‘How to Blow Up a Pipeline’ review: Daniel Goldhaber turns a manifesto into a tense and engaging eco-thriller [B+] | Toronto
The word “pipeline” has become politically charged, and this film’s title does away with any remaining ambiguity about where it falls on the subject. This... Read More
‘Pink Floyd: The Wall’ at 40 retrospective: What the classic concept album turned jaw-dropping rock opera told us about the chilling rise of white male rage
On May 23, 1982, at the Cannes Film Festival, the lights rose after the world premiere screening of Pink Floyd: The Wall and director Alan... Read More
‘L.A. Confidential’ retrospective: At 25, still the best neo-noir film of the latter 20th century
Kids today are so spoiled, with their Moonlights and Parasites and Nomadlands and CODAs winning Best Picture at the Oscars. Life seems so just and... Read More
‘The Good Nurse’ review: Eddie Redmayne and Jessica Chastain are riveting in creepy true life murder mystery [B+] | Toronto
Longtime Thomas Vinterberg collaborator, Tobias Lindholm, marks his English-language debut with The Good Nurse, a gripping thriller with mainstream appeal. Uncovering a harrowing true story... Read More
‘Causeway’ review: Jennifer Lawrence and Brian Tyree Henry shine in Lila Neugebauer’s thoughtful examination of post-war trauma [A-] | Toronto
Having spent a decade directing the words of Broadway legends such as Annie Baker, Tracy Letts, and Zoe Kazan – to name a handful –... Read More
‘The Inspection’ Review: Elegance Bratton’s personal exploration of perseverance is led by a transcendent Jeremy Pope [B] | Toronto
In 2005, while the military’s “Don’t Ask, Don’t Tell” policy was still in effect, Ellis French (two-time Tony Award nominee Jeremy Pope in his first... Read More
2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)