The Writers Guild of America has released the timeline for its 2023 WGA Awards. The 75th anniversary gala is set for Sunday, March 5. announced changes to... Read More
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An entertaining B-movie rather than a serious, self-sufficient drama, Western schlockfest Dead for a Dollar justifies its nostalgic existence on the grounds that it allows... Read More
The legitimacy of miracles is front in center in Sebastián Lelio’s eerie period piece, The Wonder. Some people argue that miracles come in all forms... Read More
Telling someone they are being “very British” is almost never meant as a compliment. The cursed phrase connotes repression, quiet, politeness over honesty, a love... Read More
Our lives can sometimes be impacted by irreparable trauma, and even though we heal from it, it will leave us scarred. A parent’s rejection of... Read More
Filmmakers often use cinema to tell personal stories, sometimes stories straight from their own childhood. Recently we’ve seen Alfonso Cuarón, Paolo Sorrentino, Kenneth Branagh, Steven... Read More
On episode 151 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson for a special in-person episode... Read More
Considering its humble roots as an original series on the short-lived YouTube Red, it’s been nothing short of a delight to watch Cobra Kai slowly... Read More
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
Throughout the story of the United States, there has often been called the ‘American Dream.’ Beyond the obvious rags-to-riches story, what is materially the American... Read More
Pádraic (Colin Farrell) is a happy-go-lucky guy. He walks fictional Irish island Inisherin, in April 1923, as if he gets on with everyone, and convinces... Read More

2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do
Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
Writers Guild sets 2023 WGA awards dates, new rules for limited series and more
‘Dead for a Dollar’ review: Walter Hill’s nostalgic Western is old-fashioned in good ways and bad [B] | Venice Film Festival
‘The Wonder’ review: Florence Pugh’s performance and Ari Wegner’s cinematography deliver in Sebastián Lelio’s effective gothic drama [B] | Telluride Film Festival
‘The Eternal Daughter’ review: Tilda Swinton shines in Joanna Hogg’s painful, personal drama [A] | Venice Film Festival
‘Monica’ review: Trace Lysette is a revelation in Andrea Pallaoro’s delicate story of family and acceptance [B+] | Venice Film Festival
‘L’immensità’ review: A solid performance from Penélope Cruz doesn’t save Emanuele Crialese’s broadly drawn family drama [C+] | Venice Film Festival
The AwardsWatch Podcast #151: The Telluride Dispatch
‘Cobra Kai’ review: Season three ups the ante with more karate and more laughs [A]
‘The Banshees of Inisherin’ review: Brendan Gleeson and Colin Farrell fight a personal Irish Civil War in Martin McDonagh’s green and black comedy [B+] | Venice Film Festival
2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)