The series will spotlight the Black And Missing Foundation’s commitment to locating missing persons of color Four-part documentary series Black and Missing, by multiple Emmy winner Geeta Gandbhir... Read More
Other
Netflix could dominate the Adapted Screenplay race in a substantial way this year with Jane Campion’s The Power of the Dog, Maggie Gyllenhaal’s The Lost... Read More
Apichatpong Weerasethakul’s Memoria and Ryuske Hamaguchi’s Drive My Car top International wins The Chicago International Film Festival closed its 57th edition on Sunday October 24,... Read More
For English actress, and newly minted writer and director, Rebecca Hall, making her black and white meditation on racial identity — the Netflix distributed Passing... Read More
Matt St. Clair takes a look at how everything from the pandemic to the preferential ballot have all but eliminated the chance of blockbuster films... Read More
Who knew 2021 would be the Year of the Sparks? The band commonly referred to as “your favorite band’s favorite band”—the cult band who only... Read More
There is a very good chance that history will be made at the Oscars this season when – if – Jonas Poher Rasmussen’s thrilling and... Read More
In Nora Fingscheidt’s The Unforgivable, Academy Award winner Sandra Bullock play Ruth Slate, recently released from prison after serving a sentence for a violent crime,... Read More
Top 10 Films will be announced December 8, 2021 The African American Film Critics Association (AAFCA) will announce winners of the 13th Annual AAFCA Awards... Read More
Plenty of animated films have come along to push the boundaries of the medium and tell stories that enrich the lives of adults as much... Read More

‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do
Film Academy Announces 2025-2026 Nicholl Fellowships
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
HBO Max to debut four-part series ‘Black and Missing’ beginning November 23
2022 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (October)
‘King Richard’ wins Chicago International Film Festival Audience Award
Interview: Rebecca Hall on her personal connection to ‘Passing’ and the perfect duality of Tessa Thompson
Have we seen the end of the technical juggernaut winning Best Picture?
Interview: Edgar Wright on the impact and influence of ‘The Sparks Brothers’
2022 Oscar Predictions: ANIMATED FEATURE and DOCUMENTARY FEATURE (October)
Sandra Bullock is looking for a new start in first trailer for ‘The Unforgivable’
African American Film Critics Association (AAFCA) announces 2021/2022 awards dates
‘Ron’s Gone Wrong’ review: A cacophonous knock-off that’s more obnoxious than entertaining [Grade: C-]
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do