A remake of the Oscar-shortlisted Danish film of the same name, The Guilty attempts to recreate the original’s sense of suspense and dread and partly... Read More
Other
Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and likely loneliness, of being alive.... Read More
England, 1924 — World War I has been over for half a decade, but for many, the wounds of the Great War are still fresh.... Read More
The second Creative Arts Emmy Awards ceremony was held Sunday afternoon and RuPaul’s Drag Race was the big winner of the day with four wins... Read More
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
The first of three Creative Arts Emmy Awards ceremonies were held tonight, announcing winners in 36 categories covering cinematography, hairstyling, makeup, production design, costumes, sound... Read More
A commercial horror flick rather than an attempt to address deeper issues, Edgar Wright’s Last Night in Soho is an enjoyable, immersive experience with bits... Read More
In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
The French abortion drama Happening from Audrey Diwan has won the Golden Lion at the 78th Venice Film Festival. Diwan is only the 6th woman... Read More
Julia Ducournau’s sophomore feature Titane is certainly one of the year’s most original movies and a compelling look at the transformational power of love and... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
TIFF Review: Antoine Fuqua’s ‘The Guilty’ remake delivers a superb performance from Jake Gyllenhaal but the film remains in the shadow of the original [Grade: B]
TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]
TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]
2021 Creative Arts Emmy Awards – Night Two, Show One: Condragulations, ‘RuPaul’s Drag Race’ is the winner of this challenge
TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]
2021 Creative Arts Emmy Awards Night One: ‘The Queen’s Gambit,’ ‘Pose’ dominate, ‘WandaVision’ falters
TIFF Review: Edgar Wright’s ‘Last Night in Soho’ is a clever blend of nostalgia and thrills with a dazzling performance by Anya Taylor-Joy [Grade: B+]
TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]
Women rule 2021 Venice Film Festival Awards as French abortion drama ‘Happening’ wins Golden Lion; Penélope Cruz, Maggie Gyllenhaal and Jane Campion take top prizes
TIFF Review: Julia Ducournau’s ‘Titane’ is challenging cinema and taking it to the very edge [Grade: A-]
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online